The first page of Bertolt Brecht's play "The Rise and Fall of the City of Mahagonny" (1930) is used as a script for her sound installation of the same name. The play is about the founding of an imaginary American town where commodification and consumption is unhindered by any ethics and morality. Lislegaard presents an empty stage with two audio speakers and a single spotlight slowly fading on and off. From here a soundtrack of multiple voices interacts in a reassembled, layered version of the original text. The words and the snippets of dialogue appear in new constellations throughout the soundtrack as if Lislegaard is searching for a “third meaning”, a hidden potential yet to be realized, or a Brechtian moment in the meeting between the original text and its pronunciation.