The Left Hand of Darkness (after Ursula K. LeGuin) is a three-channel projection that draws on Ursula LeGuin’s pioneering 1969 science fiction novel describing an icy planet populated by a single sex of androgynous humanoids. Pages of the novel are inscribed one on top of another and rotoscopic images spin next to drawings of male and female genitalia. Three channels of dispersed white noise situate the viewer in an uncertain technological space. Here identity and behavior seem at once both paralyzed and in a state of constant flux; the novel’s radical re-imagining of gender is inscribed in a fluid space between cinema, architecture and writing. Lislegaard works to reconfigure polarities—between interiority and exteriority, male and female, organic and inorganic—in an explosively horizontal digital terrain, where nothing aligns as we would expect.