BARBARA PROBST
1964 born in Munich, Germany lives and works in New York and Munich
Education
| 1984-90 | Akademie der Bildende Kunste, Munich, Germany |
| 1988-89 | Kunstakademie Düsseldorf, Germany |
Solo Exhibitions
| 2017 | Kuckei+Kuckei, Berlin |
| 2016 | Murray Guy, New York Galeri Lars Bohman, Stockholm Monica de Cardenas, Zuoz, Switzerland |
| 2014 | Centre PasquArt, Kunsthaus Centre d’art, Biel, Switzerland Galerie Rudolfinum, Prague Kuckei+Kuckei, Berlin |
| 2013 | National Photography Museum, Copenhagen Murray Guy, New York Monica de Cardenas, Milan |
| 2012 | Wilkinson Gallery, London Kuckei + Kuckei, Berlin Lars Bohman, Stockholm |
| 2011 | Murray Guy, New York Monica de Cardenas, Zuoz, Switzerland |
| 2010 | Jessica Bradley Art and Projects, Toronto Lars Bohman, Stockholm Kuckei + Kuckei, Berlin |
| 2009 | Murray Guy, New York Kunstverein Oldenburg, Oldenburg, Germany Stills Gallery, Edinburgh, Scotland |
| 2008 | Monica de Cardenas, Milan Domaine de Kerguehennec, Bignan, France Jessica Bradley Art and Projects, Toronto |
| 2007 | Kuckei + Kuckei, Berlin Exposures, Museum of Contemporary Photography, Columbia College, Chicago; Madison Museum of Contemporary Art, Madison, WI (2008); G Fine Arts, Washington, DC |
| 2006 | Murray Guy, New York |
| 2005 | Kuckei + Kuckei, Berlin Jessica Bradley Art and Projects, Toronto (with Pascal Grandmaison) Exposures, G Fine Art, Washington, DC |
| 2004 | Exposures, Murray Guy, New York |
| 2003 | Sprüth Magers Projekte, Munich |
| 2002 | Kunstverein Cuxhaven, Germany Galerie Otto Schweins, Cologne |
| 2001 | Kunstverein Schwerte, Germany Was Wirklich Geschah, ESCALE, Düsseldorf |
| 2000 | stop #1, Galerie Philomene Magers, Munich |
| 1998 | Interviews, Galerie Otto Schweins, Cologne |
| 1995 | Der Geplante Augenblick, Galerie Otto Schweins, Cologne |
| 1994 | InExspectation, Galerie Binder & Rid, Munich My Museum, Galerie Philomene Magers Gallery, Cologne |
| 1993 | Interieur, Galerie Otto Schweins, Cologne |
| 1992 | Vier Interieurs, Galerie FOE, Munich |
| 1990 | Akademiegalerie, Munich |
Selected Group Exhibitions
| 2016 | People, Akureyri Art Museum, Akureyri, Iceland Mit anderen Augen, Das Porträt in der zeitgenössischen Fotografie, Kunstmuseum Bonn, Germany The Shape of Remembering, Stamp Gallery, University of Maryland, College Park, MD MoCP at 40, Museum of Contemporary Photography, Chicago Zurück in die Zukunft der Fotografie, DZ Bank Kunstsammlung, Frankfurt The Lasting – l’intervallo e la durata, Galleria Nazionale d’arte Moderna e Contemporanea, Rome |
| 2015 | Perfect Likeness: Photography and Composition, Hammer Museum, Los Angeles Staged, Performed, Manipulated, Johnson Museum of Art, Cornell University, Ithaca, NY Proof: Photographs from the Collection, Akron Art Museum, Akron, OH Spielraum, Staedtische Galerie Nordhorn, Nordhorn, Germany passing leap, Hauser & Wirth, New York, NY Contemporary Photography from North-West Europe, Fondazione Fotografia, Modena, Italy …And There Was Time, Visual Arts Center Helga de Alvear Foundation, Cáceres, Spain |
| 2014 | Eyes on the Street, Cincinnati Art Museum, Cincinnati Stills, Michael Lowe Gallery, Cincinnati (Mis)Understanding Photography: Works and Manifestos, Museum Folkwang, Essen, Germany Moving Parts: Time and Motion in Contemporary Art, Mildred Land Kemper Art Museum, St. Louis Paparazzi! Photographers, Stars and Artists, Centre Pompidou Metz, France Reliable Tension or: How to Win A Conversation About Jasper Johns, 32 Edgewood Ave. Gallery, Yale School of Art, New Haven I feel the need to express something, but I don’t know what it is I want to express. Or how to express it. Park View, Los Angeles Double Back: Photographic Reflexivity, The Art Gallery, University of Maryland, College Park |
| 2013 | Le Mois de la Photo, VOX, Centre de l’image contemporaine, Montreal, Quebec, Canada The Other Portrait, Museo D’Arte Moderna e Contemporanea di Trento e Rovereto, Roverto, Italy Per Speculum Me Video, Frankfurter Kunstverein, Frankfurt |
| 2012 | Views and Windows, Galerie Sabine Knust, Munich An Orchestrated Vision: The Theater of Contemporary Photography, St Louis Art Museum, St. Louis, MO Lost Places. Orte der Photographie, Hamburger Kunsthalle, Hamburg, Germany |
| 2011 | Persona: A Body in Parts, Weatherspoon Art Museum, Greensboro, NC |
| 2010 | Elles, Centre Pompidou, Paris Do I know you, Inman Gallery, Houston Pictures by Women: A History of Modern Photography, The Museum of Modern Art, New York To a Degree, Rational, Galleria Gentili, Prato, Italy Exposed: Voyeurism, Surveillance and the Camera, Tate Modern, London; traveling to the Walker Art Center, Minneapolis, MN; San Francisco Museum of Modern Art, San Francisco Mixed Use, Manhattan: Photography and Related Practices 1970s to the present, (curated by Lynne Cooke and Douglas Crimp), Museo Nacional Centro de Arte Reina Sofia, Madrid |
| 2009 | Süsser Vogel Jugend: Kindheit und Jugend in der zeitgenössischen Fotografie, Pinakothek der Moderne, Munich |
| 2008 | Role Models, National Museum of Women in the Arts, Washington, DC |
| 2007 | Body Double, Luckman Gallery, California State University, Los Angeles StereoVision, University of South Florida Contemporary Art Museum, Tampa, FL Zeichen der Zeit, Rathausgalerie München, Munich The End(s) of Photography: Modeling the Photographic, McDonough Museum of Art, Youngstown State University, Youngstown, OH Frame of Reference, Clifford Chance Projects, New York Tell Me a Story: Narrative Photography Now, Museum of Photographic Arts, San Diego, CA |
| 2006 | Next Next Visual Art, Brooklyn Academy of Music, New York New Photography (with Jonathan Monk and Jules Spinatsch), Museum of Modern Art, New York |
| 2005 | After the Fact, 1st Berlin Photography Festival, Walter-Gropius-Bau, Berlin This Side Toward Screen, Murray Guy, New York Loop, G Fine Art, Washington, DC |
| 2004 | Camera Action, Museum of Contemporary Photography, Chicago Between Spaces, Galerie Asbaek, Copenhagen Der Widerstand der Fotografie, Kunsthaus Graz, Austria |
| 2003 | Off, Murray Guy, New York Double Exposure, Edition Schellmann, Munich; traveling to G Fine Art, Washington, DC; Barbara Krakow Gallery, Boston; Galerie Graff, Montreal (2004); Inman Gallery, Houston; Shearburn Gallery St. Louis, MO; Pulliam Deffenbaugh Gallery, Portland; Godt-Cleary Projects, Las Vegas, NV (2005) 20th Anniversary-show, Galerie Monika Sprüth, Cologne Subtle Occupation, Murray Guy, New York Between Spaces, Centro Cultural Andratx, Mallorca, Spain |
| 2002 | Hollywood revisited, Kunstmuseum, Aarhus, Denmark QUIVID I – im öffentlichen Auftrag, Technisches Rathaus, Munich |
| 2001 | Moving Pictures, Triennale der Photographie, Galerien der Stadt Esslingen, Villa Merkel, Esslingen, Germany Countdown, Kunstverein München, Munich Mentalscape (eine Bibliothek), FOE 156, Munich Heute bis Jetzt – Im Labor der Bilder, Museum Kunstpalast, Düsseldorf |
| 2000 | Transporter, A Reading Room, Bangkok, Thailand Simili, De Chiara/Stewart Gallery, New York |
| 1999 | Spaceship Earth, Art in General, New York |
| 1998 | Fotografia Situacionista, Galeria OMR, Mexico City |
| 1996 | Fotografia Nell ́Arte Tedesca contemporanea, Galleria Gian Ferrari, Milan 1,2,3,4; Galerie Andreas Binder, Munich |
| 1995 | Photography after Photography, Praterinsel, Munich; Kunsthalle Krems, Germany; Städtische Galerie Erlangen, Germany (1996); Brandenburgische Kunstsammlungen, Cottbus, Germany; Museet for Fotokunst, Odense, Denmark (1997); Fotomuseum Winterthur, Switzerland; Finnish Museum of Photography, Helsinki; Institute of Contemporary Art, Philadelphia Ars viva, Schloß Georgium Dessau; Kunstverein Frankfurt; Kunsthalle Nürnberg, Germany (1996) Trick or Treat, Galerie Wiensowski & Harbord, Berlin |
| 1994 | Skulptur, Galerie Bugdahn & Kaimer, Düsseldorf Scharf im Schauen, Haus der Kunst, Munich |
| 1993 | Debütanten 93, Künstlerwerkstatt Lothringerstraße, Munich |
| 1992 | Modell, Pasinger Ritterwerke, Munich |
| 1991 | Szenarien der Wirklichkeit, BBK München, Munich |
| 1990 | Bilder Zeigen, Lothringerstraße, Ladengalerie, Munich |
Awards
| 2002 | Fellowship of Kunstfonds, Bonn, Germany Philip Morris Award, Dresden |
| 1997 | Fellowship of Bavaria: New York residency |
| 1995 | Award, Cultural Board of the German Industry, Bund Deutscher Industrie |
| 1994 | Photography Award, Arts Council, Munich |
| 1992 | Fellowship of Kunstfonds, Bonn, Germany DAAD Travel Grant: Rome |
| 1990 | Sanha Kaimer Fellowship: New York residency |
Public Collections
Centre Georges Pompidou, Paris
FRAC Bretagne, Châteaugiran, France
Herbert F. Johnson Museum of Art, Cornell University, Ithaca
Los Angeles County Museum of Art, California
Museé d’art contemporain de Montréal, Canada
Museum of Contemporary Art, Denver
Museum of Contemporary Photography, Chicago
The Museum of Fine Arts, Houston
The Museum of Modern Art, New York
National Gallery of Canada, Ottawa, Canada
San Francisco Museum of Modern Art, San Francisco
Städtischen Galerie im Lenbachhaus und Kunstbau, Munich
University of Maryland, College Park, MD
Whitney Museum of American Art, New York
Books and Monographs
| 2016 | Forthcoming publication alongside exhibition at Galeri Lars Bohman, Stockholm. |
| 2013 | Barbara Probst. Ostfildern: Hatje Cantz, 2013. Texts by Felicity Lunn, Jens Erdman Rasmussen, and Lynne Tillman. Interview by Frédéric Paul. |
| 2007 | Barbara Probst: Exposures. Göttingen: Steidl; Chicago: Museum of Contemporary Photography (MoCP), 2007. Texts by Karen Irvine and David Bate. Interview by Johannes Meinhardt. |
| 2002 | Barbara Probst: Exposures. Cuxhaven: Kunstverein Cuxhaven, 2002. Text by Stefan Schessl. |
| 1998 | Barbara Probst: Welcome. Munich: Barbara Probst, 1998. Text by Thomas Dreher. Documentation of the installation at Frankfurter Kunstverein, Frankfurt, Germany in 1995. Barbara Probst: Through The Looking Glass. Munich: Barbara Probst, 1998. Documentation of the installation at Anhaltische Gemäldegalerie Dessau, Germany in 1995. Barbara Probst. Munich: Barbara Probst, 1998. Documentation of the exhibition at the Akadamiegalerie Munich in 1990 |
| 1994 | Barbara Probst: My Museum. Munich: Kulturreferat München, 1994. Inexpectation: Barbara Probst in der Galerie Binder & Rid. Munich: Barbara Probst, 1994. Text by Thomas Dreher. |
| 1993 | Barbara Probst – Interieurs. Munich: Künstlerwerkstatt Lothringerstraße, 1993. Texts by Michael Hofstetter and Andreas Wutz. |
Selected Bibliography
| 2015 | Campany, David. “Between the Snapshot and Staged Photography.” In Photography at MoMA 1960 – Now. Ed. Quentin Bajac, Lucy Gallun, Roxana Marcoci and Sarah Hermanson Melster. New York: The Museum of Modern Art, 2015, p. 144 Flower, Isabel. “Perfect Likeness: Photography and Composition.” Artforum (May 2015), p. 190 Gamerman, Ellen. “Five Summertime Art Road Trips.” The Wall Street Journal, 6 August 2015 Maggia, Filippo. “Visions from the North-West.“ In Contemporary Photography from North-Western Europe. Ed. Filippo Maggia and Francesca Lazzarini, Milan: Skira, 2015, pp. 11, 98–101 Olivares, Rosa. “Yo soy una cámara (The Camera Makes the Human: Interview with Barbara Probst.)” Exit: imagen y cultura, no. 59 (2015), pp. 92–101 Van Duehren, Andreas and Barbara Probst. “Dialogue on Indivisibility.” Text, no. 13 (2015), pp. 45–53 …Y Tiempo Se Hizo / … And There Was Time. Cáceres: Centro de Artes Visuales Fundación Helga de Alvear, 2015, pp. 164–165, 182, 202, 226, 249, 268 |
| 2014 | Lange, Christy. “Seven Subjects You Shouldn’t Photograph (Or Should You?).” Frieze, no. 164 (Summer 2014), pp. 136–143 Plocek, Keith. “Barbara Probst Looks Both Ways at Park View.” Glasstire, 6 October 2014 Probst, Barbara. Photographs for “Confessions of A Tiger Couple.” New York Times Magazine, 2 February 2014, pp. 34–35 Probst, Barbara. “Aufnehmen und Sichtbarmachen/Meditationen über das Material der Fotografie.” In (Mis)Understanding Photography. Essen: Edition Folkwang, 2014, pp. 48–49 Probst, Barbara. “What Could Have Been.” Punctum: Reflections on Photography. Salzburg: Salzburger Kunstverein, 2014 pp. 162–163 Rinn, Natalie. “FotoFocus Biennial: Q&A with Barbara Probst.” Whitewall Magazine, 9 October 2014 |
| 2013 | Erdman Rasmussen, Jens. “Sculpting in Time.” In Barbara Probst. Ostfildern: Hatje Cantz, 2013, pp. 68–73 Nancy, Jean-Luc. L’altro ritratto. Trento: Mart – Museo di arte moderna e contemporanea di Trento e Rovereto; Milan: Electa, 2013, p. 78 Paul, Frédéric. “In Conversation with Barbara Probst, March/April 2013.” In Barbara Probst. Ostfildern: Hatje Cantz, 2013, pp. 142–147 Schwendener, Martha. “Barbara Probst.” The New York Times, 22 November 2013 Tillman, Lynne. “Seven Times.” In Barbara Probst. Ostfildern: Hatje Cantz, 2013, pp. 108–110 Ventura, Holger Kube. Per Speculum Me Video. Exhibition brochure. Frankfurt: Frankfurter Kunstverein, 2013 |
| 2012 | Crasemann, Leena. “Barbara Probst.” In Lost Places—Orte der Photographie. Hamburg: Hamburger Kunsthalle, 2012, pp. 17–18, 62–63 Probst, Barbara. Interview. Album: Magazin für Fotografie, no. 2 (2012), pp. 214–215 |
| 2011 | Jenkins, Mark. “Stimulating Serendipity.” The Washington Post, 20 May 2011, p. C8 Nakamori, Yasufumi. “Between Staged and Documentary,” an interview with Barbara Probst. spot (November 2011), pp. 6–11 Vali, Murtaza. “Barbara Probst – Murray Guy.” Art Review, no. 55 (December 2011), p. 123 |
| 2010 | Cooke, Lynne. “From Site to Non-Site.” In Mixed Use Manhattan: Photography and Related Practices 1970s to the Present. Ed. Lynne Cooke and Douglas Crimp with Kristin Poor. Cambridge, MA: MIT Press; Madrid: Museo Nacional Centro d’Arte Reina Sofia, 2010, pp. 21–62 Phillips, Sandra S. “Surveillance.” In Exposed. San Francisco: Museum of Modern Art, 2010, pp. 143, 159 |
| 2009 | “Barbara Probst.” The New Yorker, 20 April 2009 Conti, Riccardo. “Barbara Probst – Nessun limite per lo sgardo.” Rodeo-Moda e Cultura Contemporanea, no. 57 (June/July 2009), p. 62 Fumagalli, Sara. “Barbara Probst – Monica de Cardenas, Milano.” Flash Art Italia (August/September 2009) Hall, Emily. “Barbara Probst – Murray Guy.” Artforum 47, no. 10 (Summer 2009), p. 338 Nicolin, Paula. “Barbara Probst – Monica De Cardenas.” artforum.com, 12 June 2009 Pasini, Francesca. “La lentezza dell’immagine in movimento.” Linus Arte (June 2009), p. 109 |
| 2008 | Christians, Lindsay. The Capital Times (Madison, WI), 31 December 2008 Kluger, Jeffrey. “Barbara Probst.” Time, 9 June 2008, p. 59 Fischer Sterling, Susan and Kathryn A Wat. “Fashioning Feminine Identity in Contemporary Photography.” In Role Models. Washington, DC: National Museum of Women in the Arts, pp. 41–42, 116–117 Mudie, Ella. “Interview with Barbara Probst.” Nothing Magazine (March 2008) van den Valentyn, Robert. “Interview with Barbara Probst.” Junge Kunst, no. 75 (2008), pp. 46–49 |
| 2007 | Bate, David. “Different Angles.” In Barbara Probst: Exposures. Göttingen: Steidl; Chicago: Museum of Contemporary Photography (MoCP), 2007, n.p. Braun, Reinhard. “Barbara Probst.” In Photo Art – Fotografie im 21. Jahrhundert. Cologne: Dumont Buchverlag, 2007, pp. 346–349 Irvine, Karen. “Exposure #33: N.Y.C.” Magenta Magazine 2, no. 3 (Winter 2007) Irvine, Karen. “Dissected Moments.” In Barbara Probst: Exposures. Göttingen: Steidl; Chicago: Museum of Contemporary Photography (MoCP), 2007, n.p. Meinhardt, Johannes. “Interview with Barbara Probst.” In Barbara Probst: Exposures. Göttingen: Steidl; Chicago: Museum of Contemporary Photography (MoCP), 2007, n.p. |
| 2006 | Johnson, Ken. “Barbara Probst.” The New York Times, 17 March 2006, p. E25 Lytal, Benjamin. “Double and Triple Vision.” New York Sun, 28 September 2006, pp. 13, 15 Nesbett, Peter. “Photography’s Ever-Expanding Present.” Art on Paper 10, no. 3 (January/February 2006), pp. 56–57 Sholis, Brian. “Barbara Probst – Murray Guy.” Artforum 64, no. 9 (May 2006), p. 292 Siemer, René G. “Das Selber muss nicht das Gleiche sein.” Kunst 21, no. 12 (January 2006), pp. 6–17 |
| 2005 | Dawson, Jessica. “Barbara Probst: Meet the Swingers.” The Washington Post, 21 April 2005, p. C5 Jacobson, Louis. “Barbara Probst: Exposures.” Washington City Paper, 22 April 2005, p. 84 Lundström, Jan-Erik. “After the Fact.“ In After the Fact, Berlin Photography Festival 2005. Berlin: European Photography und Berlin Photography Festival e.V., 2005, pp. 150–155, 218 |
| 2004 | Braun, Reinhard. “An Exposure of Photography: Barbara Probst’s ‘Exposures.’” Camera Austria, no. 85 (2004), pp. 7–18 Irvine, Karen. “The Performance Moment.” Camera/Action. Exhibition brochure. Chicago: Museum of Contemporary Photography, Columbia College, 2004 Schwendener, Martha. “Barbara Probst, ‘Exposures,’ Murray Guy.” Time Out New York, 29 January –5 February 2004, p. 67 Trescher, Stephan. “Möglichkeiten der Selbstreflexion.” In Schnellkurs Kunst der Gegenwart. Cologne: Dumont Verlag, 2004, pp. 63–64 |
| 2003 | Gockel, Cornelia. “Wahr Was?” Süddeutsche Zeitung, 20 January 2003, p. 40 Sørensen, Ann Lumbye. “Kunsten som dynamo.” Weekendavisen Denmark, 25–31 July 2003, p. 9 Mentalscape (eine Bibliothek). Munich: FOE 156, 2003 |
| 2002 | “Barbara Probst: Laura.” In Quivid (citymap of Munich with Art in Public projects). Munich: Landeshauptstadt München, 2002 Boecker, Susanne. “Eine Frau springt durch die Nacht.” Kölner Stadtanzeiger, 17 October 2002 Braun, Reinhard. “Remaking the Real, Thomas Ruff, Wolfgang Tillmanns and Barbara Probst are transforming the rich tradition of German Photography.” Modern Painters (Winter 2002), pp. 90–93 Cordes, Ilse. “Die vielen Wahrheiten der Fotografie.” Cuxhavener Nachrichten (Cuxhaven, Germany), 4 May 2002, p. 15 “Exposure #6a.” Frankfurter Allgemeine Sonntagszeitung, 3 November 2002, p. 54 Hansen, Jørgen. “Gensyn med Hollywood.” JyllandsPosten/Morgenavisen (Denmark), 12 January 2002 Kern, Kristine. “Hollywood i billedkunstnerisk optic.” Politiken (Denmark), 12 January 2002 Kernbach, Andreas. “Kunst im Paul-Löbe-Haus.” Blickpunkt Bundestag, Deutscher Bundestag, Berlin 2002 Krogh, Anna and Ørskou, Gitte. “Barbara Probst: stop.” In Hollywood Revisited. Aarhus: Aarhus Kunstmuseum, 2002. pp. 52–55 Nørlyng, Ole. “Billedets fiktive fortœlling.” Observer (Denmark), 19 January 2002 Salzbrenner, Uwe. “Sinnliches Entdecken und knapp kalkuliertes Geschäft.” Sächsische Zeitung, 27–28 April 2002 Schellmann, Jörg. “Barbara Probst exposure #1.” In Double Exposure. Munich-New York: Edition Schellmann, 2002 Schessl, Stefan. “Back to the Beginning, On Barbara Probst´s Photographic Series. In Barbara Probst – Exposures. Cuxhaven: Kunstverein Cuxhaven, 2002 Stein, Claudia. “Barbara Probst: Exposures.” Photography Now (March 2002) van den Valentyn, Heike. “Barbara Probst: Exposures.” In Heute bis Jetzt, Zeitgenössische Fotografie aus Düsseldorf Teil II. Dusseldorf: Museum Kunst Palast Düsseldorf, 2002, pp. 62–67 Werner-Art, Lisa. “Mit Qualität, aber ohne Spektakuläres.” Dresdener Neue Nachrichten, 27–28 April 2002 |
| 2001 | Ander, Heike. “Barbara Probst: Stop.” In Countdown. Munich: Kunstverein München, 2001 Gögger, Christian. “Bewegte Bilder bewegen die Kunst.” Esslinger Zeitung, 30 June 2001 Hoffmann, Gabriele. “Der bewegte Fliesenleger.” taz, Berlin, 22 August 2001 Honnef, Klaus. “Die Zeitung überfliegen und andere Bewegungen.” Art (September 2001), p. 98 Kröner, Magdalena. “Acht.” Kunstforum (November/December 2001) Kröner, Magdalena. “Video, Philosophie, Klang und Kunst.” Rheinische Post, 10 October 2001 Meister, Helga. “Gestaffelte Wirklichkeit.” WZ, Germany, 5 October 2001 Scheutle, Rudolf. “Barbara Probst: Stop.” In Moving Pictures. Esslingen: Galerien der Stadt Esslingen, 2001, pp. 114–117 Sonna, Birgit. “Barbara Probst: Laura.” Art in Public, Munich |
| 2000 | De Chiara, Laurie and Urabe, Naomi. “Transporter.” In About Studio/About Cafe, Bangkok, Thailand, 2000 Sachs, Brita. “Rundgang durch Münchner Galerien.” Frankfurter Allgemeine Zeitung, 29 July 2000 |
| 1999 | Trescher, Stephan. “Alles Theater/Leuchtkasten als Raum.” In Light Boxes. Nuremberg: Verlag für moderne Kunst Nürnberg, 1999 |
| 1998 | Die Zeit, special millennial illustrated issue, 30 December 1998, p. 49 Dreher, Thomas. “Barbara Probst: Welcome.” In Barbara Probst: Welcome. Munich: Barbara Probst, 1998 Dreher, Thomas. “Barbara Probst: Through The Looking Glass.” In Barbara Probst: Through The Looking Glass. Munich: Barbara Probst, 1998 Dreher, Thomas. “Was Wirklich Geschah.” In Barbara Probst: Was Wirklich Geschah. Munich: Barbara Probst, 1998 Hofstetter, Michael. “Barbara Probst in der Akademiegalerie 1990.” In Barbara Probst. Munich: Barbara Probst, 1998 Knapp, Gottfried. “28 Millionen suchen einen Künstler.” Süddeutsche Zeitung, 18 September 1998, p. 17 Roos, Renate. “Barbara Probst in der Galerie Schweins: Der Besucher wächst und schrumpft.” Kölner Stadtanzeiger, 24–25 September 1998 Schultze, Michael. “Die Ganze Welt.” In Barbara Probst: Was Wirklich Geschah. Munich: Barbara Probst, 1998 Welzer, Harald. “Die Schwatzgemeinde.” Artist (February 1998) |
| 1997 | Wolf, Silvio. “Il Luogo e L´Arbitrio.” Tema Celeste, no. 61 (March–April 1997) |
| 1996 | Steinweg, Marcus. Fotografia Nell´Arte Tedesca Comtemporanea, Milan: Galeria Claudia Gian Ferrari Arte Contemporanea, 1996 Wutz, Andreas. “Do you really look at me?” In Photography After Photography. Ed. H. von Amelunxen, S. Iglhaut, F. Rötzer (a project of Siemens Culture Programe), 1996, pp. 242–247 |
| 1995 | Ars Viva, Fotografie 95/96. Cologne: Cultural Board of the German Industry, 1995 “Barbara Probst: Geplanter Augenblick.” Kölner Stadtanzeiger, 5 December 1995 |
| 1994 | Baronikians, Annette. “Künstler werden für ihren Widerspruch belohnt.” Süddeutsche Zeitung, 16–17 July 1994 Dattenberger, Simone. “Maschinengewehr zum Kuscheln.” Münchner Merkur, 10 September 1994 Dreher, Thomas. “Barbara Probst: Inexpectation.” In Inexpectation: Barbara Probst in der Galerie Binder & Rid. Munich: Barbara Probst, 1994 Förderpreise 1993/94, München. Munich: Department of Culture, 1994 Glieve, Gert. “Gegen das schnelle Vergessen.” Abendzeitung Munich, 10–11 September 1994, p. 7 Neun Ausstellungen und sechs Editionen, 1992–94. Dusseldorf: Galerie Bugdahn und Kaimer, 1994 Gockel, Cornelia. “Kunst-Tips.” Süddeutsche Zeitung, 23 March 1994, p. 48 “Probst mit Fotos von Fotos.” Kölner Stadtanzeiger, 7 May 1994 Scharf im Schauen – Aktuelle Kunst in München, Munich: Haus der Kunst, 1994 Sonna, Birgit. “Barbara Probst: Suggestive Raumbilder.” Süddeutsche Zeitung, 13–15 August 1994 Sonna, Birgit. “Düsterer Blick in die Vergangenheit.” Süddeutsche Zeitung, 19 September 1994, p. 13 |
| 1993 | Hofstetter, Michael. “Hinter den Vorhängen nichts als Vorhänge.” In Barbara Probst – Interieurs. Munich: Künstlerwerkstatt Lothringerstraße, 1993 Wutz, Andreas. “Inbilder des Bauens.” In Barbara Probst – Interieurs. Munich: Künstlerwerkstatt Lothringerstraße, 1993 |
| 1992 | Hoffmann, Justin. “Kunst-Tips.” Süddeutsche Zeitung, 15 July 1992 Modell. Munich: Pasinger Ritterwerke, 1992 |
| 1990 | Hoffmann, Justin. “Barbara Probst at the Akademiegalerie Munich.” Artscribe (November/December 1990), pp. 94–95 |