MOYRA DAVEY
Born 1958 in Canada
Lives and works in New York
Education
| 1989 | Whitney Independent Study Program, New York |
| 1988 | University Of California, San Diego, CA |
| 1982 | Concordia University, Montreal, Quebec |
Solo Exhibitions
| 2016 | Hemlock Forest, Bergen Kunsthall, Norway 7 Albums, Murray Guy, New York |
| 2015 | You’re a nice guy to let me hold you like this, greengrassi, London Wilfried Lentz, Rotterdam |
| 2014 | Ornament and Reproach, Murray Guy, New York Burn the Diaries, MUMOK — Museum Moderner Kunst Stiftung Ludwig, Vienna Burn the Diaries, Institute of Contemporary Art, Philadelphia life without sheets of paper to be scribbled on is masterpiece, Camden Arts Centre, London |
| 2013 | Ornament and Reproach, Presentation House Gallery, Vancouver Hangmen of England, Tate Liverpool, Liverpool, UK |
| 2012 | Spleen. Indolence. Torpor. Ill-humour, Murray Guy, New York In the Spirit of Walser, Donald Young Gallery, Chicago |
| 2011 | Les Goddesses, greengrassi, London |
| 2010 | Speaker Receiver, Kunsthalle Basel, Basel My Necropolis, Goodwater, Toronto My Necropolis, lllingworth Kerr Gallery, Alberta College of Art + Design, Calgary, Canada |
| 2009 | My Necropolis, Murray Guy, New York My Necropolis, Arch II Gallery, University of Manitoba, Winnipeg |
| 2008 | Long Life Cool White, The Fogg Art Museum, Harvard University, Cambridge, MA |
| 2007 | Fifty Minutes, Goodwater, Toronto My Place, TART, San Francisco |
| 2006 | Monologues (with Julia Scher), Wexner Center for the Arts, Columbus, OH |
| 2003 | American Fine Arts, Co., New York |
| 2002 | Goodwater, Toronto |
| 1999 | American Fine Arts, Co., New York |
| 1998 | Rena Bransten Gallery, San Francisco |
| 1996 | American Fine Arts, Co., New York |
| 1994 | Moyra Davey, Peter Doig, Gavin Brown’s Enterprise, New York American Fine Arts, Co., New York |
| 1989 | Optica, Montreal |
| 1985 | Agnes Etherington Arts Center, Kingston, Ontario |
| 1984 | The Photography Gallery, Toronto Saw Gallery, Ottawa, Ontario |
Selected Group Exhibitions
| 2016 | Le Grand Balcon, The Grand Balcony, La Biennale de Montréal, Musée d’art contemporain de Montréal Territories and Fictions: Thinking a New Way of the World, Museo Nacional Centro de Arte Reina Sofía, Madrid Whatever moves between us also moves the world in general, Murray Guy, New York Home Improvements (curated by John Waters), Fraenkel Gallery, San Francisco Let’s be Open About… Conceptualism, Dazibao, Montreal Dubai Photo: A Global Perspective on Photography (curated by Natasha Egan), Dubai Everyday I make my way, Minerva, Sydney, Australia Repeat Pressure Until, Ortega y Gasset Projects, Brooklyn, New York Esma’/Listen, Beirut Art Center, Lebanon About Time: Photography in a Moment of Change, SFMoMA, San Francisco Strange Oscillations and Vibrations of Sympathy, University Galleries of Illinois State University, Normal, IL Nightfall, Musée Rath, Geneva Me, Myself, I, China Art Objects, Los Angeles Fireflies in the Night Take Wing, Stavros Niarchos Foundation Cultural Center, Athens The Uses of Photography: Art, Politics, and the Reinvention of a Medium, Museum of Contemporary Art San Diego |
| 2015 | Reconstructions, Recent Photographs and Video from the Met Collection, Metropolitan Museum of Art, New York Photo-Poetics: An Anthology, Deutsche Bank Kunsthalle, Berlin; Solomon R. Guggenheim Museum, New York Days push off into nights, Spring Workshop, Hong Kong Take One: Contemporary Photographs, the Philadelphia Museum of Art Corruption: Everybody knows…, e-flux, New York |
| 2014 | Pictures, Before and After – An Exhibition for Douglas Crimp, Galerie Buchholz, Berlin Emotional Resources, Northern Gallery for Contemporary Art, Sunderland, UK Urban Psychosis, Holden Gallery, Manchester, UK Batalhão de Telegrafistas (Army of Telegraphists), Galeria Jaqueline Martins, Sao Paulo Displayed (curated by Matthew Higgs), Anton Kern Gallery, New York Dependency, Gasworks, London Seymour, Centre Européen d’Actions Artistiques Contemporaines, Strasbourg, France Moving Parts: Time and Motion in Contemporary Art, Kemper Art Museum at Washington University, St. Louis Footnotes, CCS Bard Hessel Museum, Annandale-on-Hudson, NY Staring at the Sun, Blind Spot Griffin Editions Project Space, Brooklyn, NY Reliable Tension or: How to Win A Conversation About Jasper Johns, 32 Edgewood Ave. Gallery, Yale School of Art, New Haven CODEX, CCA Wattis Institute for Contemporary Arts, San Francisco Looking Back: 8th White Columns Annual, White Columns, New York Three Cups Fragrance, Bodega, New York Interiors, Parc Saint Léger, Burgundy, France Print, Text, Language, Bibliowitz Gallery, Cornell University, Ithaca, NY IN __ WE TRUST Art and Money, Columbus Museum of Art, OH |
| 2013 | Minimal Resistance – Between Late Modernism and Globalization: Artistic Practices during the 80s and 90s, Museo Nacional Centro de Arte Reina Sofia, Madrid L’image papillon, MUDAM, Luxembourg Empire State, Palazzo delle Esposizioni, Rome One Minute Film Festival 2003–2012 (with Jason Simon), MASS MoCA, North Adams, MA goodwater at g, G Gallery, University of Guelph, Guelph, Canada The Distaff Side, The Granary, Sharon, CT To The Friends Who Saved My Life, Calicoon Fine Arts, New York Tell it to my Heart: Collected by Julie Ault, Museum für Gegenwartskunst, Basel; Culturgeist, Lisbon; Artists Space, New York Looking Back: 7th White Columns Annual, White Columns, New York The Way of the Shovel, MCA Chicago, Chicago Homebodies, MCA Chicago, Chicago A Sense of Place, Pier 24 Photography, San Francisco, CA Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict, Veneklasen/Werner, Berlin Emmy Moore’s Journal: An Exhibition Based on a Letter in a Short Story by Jane Bowles, SALTS, Birsfelden, Switzerland The Schoolhouse Gallery, Provincetown, MA Step Right In, Visual Arts Center, University of Texas, Austin |
| 2012 | Where I Lived, and What I Lived For, Oakville Galleries, Oakville, ON, Canada The Imminence of Poetics, XXX Bienal de São Paulo, Sao Paulo, Brazil A common feeling, gb agency, Paris Lo bueno y lo malo, Galeria Nara Roesler, Sao Paulo, Brazil Whitney Biennial 2012, Whitney Museum of American Art, New York STATUS – 24 documents of today, Fotomuseum Winterthur, Winterthur, Switzerland You Have Been There, Marian Goodman Gallery, New York In the Spirit of Walser, Donald Young Gallery, Chicago |
| 2011 | New Photography 2011, The Museum of Modern Art, New York After the Gold Rush, The Metropolitan Museum of Art, New York You Have Been There, Galerie Marian Goodman, Paris If You Lived Here, You’d Be Home By Now, CCS Bard – Hessel Museum of Art, Annandale-on-Hudson, NY The art of narration changes with time, Sprüth Magers Galerie, Berlin Time Again, Sculpture Center, Long Island City, New York Anne Chu, Moyra Davey, Jeanne Dunning, Rebecca Warren, Donald Young Gallery, Chicago Partoftheprocess4, Galleria Zero…, Milan, Italy I don’t know if it makes any sense – I feel quite dizzy and a little drunk due to the blow. I will return with more info shortly…, IMO Projects, Copenhagen, DK Codex, Haut École d’art et de Design, Geneva, Switzerland |
| 2010 | Atlas: How to Carry the World on One’s Back? (curated by Georges Didi-Huberman), Museo Nacional Centro de Arte Reina Sofia, Madrid; Sammlung Falckenburg, Hamburg, Germany; ZKM – Center for Art and Media, Karlsuhe, Germany Grange Prize 2010, Art Gallery of Ontario, Toronto; The Museum of Contemporary Photography, Chicago Mixed Use, Manhattan: Photography and Related Practices 1970s to the present (curated by Lynne Cooke and Douglas Crimp), Museo Nacional Centro de Arte Reina Sofia, Madrid Teatrino / Palermo (curated by Pierre Leguillon and Clément Rodzielsk), Renwick Gallery, New York Strange Comfort (Afforded by the Profession), Istituto Svizzero di Roma, Rome 50 Artists Photograph The Future, curated by Dean Daderko, Higher Pictures, New York Sound and Vision (curated by Matthew Witkovsky), The Art Institute of Chicago, Chicago False Divide: abstraction and representation in a few photographic works, Miguel Abreu Gallery, New York The Record: Contemporary Art and Vinyl (curated by Trevor Schoonmaker), The Nasher Museum of Art at Duke University, Durham, NC; traveling to Institute of Contemporary Art Boston (2011); Miami Art Museum, Miami (2012); Henry Art Gallery, Seattle Living Things: carte grise à Roy Arden, Dazibao, Montreal Calling Beauty, Columbus College of Art and Design, Columbus, OH |
| 2009 | A Sensed Perturbation (curated by Jacob King), Murray Guy, New York White Noise (curated by Elyse Goldberg), James Cohan Gallery, New York |
| 2008 | Photography on Photography: Reflections on the Medium Since 1960 (curated by Doug Eklund), The Metropolitan Museum of Art, New York Two or Three Things I Know About Her (curated by Helen Molesworth), Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA The World Is All That Is The Case, Hudson Franklin, New York L’Argent (curated by Caroline Bourgeois and Elisabeth Lebovici), Le Plateau, Ile-de-France, Paris Mildred’s Lane (curated by Mark Dion and J. Morgan Puett), Alexander Gray Associates, New York |
| 2007 | Calendar of flowers, gin bottles, steak bones (Moyra Davey, Claire Pentecost, James Welling), Orchard, New York 50,000 Beds, Real Art Ways, CT |
| 2006 | Reality/Play (organized by Moyra Davey), Orchard, New York Slow Revolution, The Rotunda Gallery, Brooklyn, NY When Artists Say We, Artists Space, New York Hypervision, Westport Arts Center, CT |
| 2005 | One Minute Film & Video Festival (with Jason Simon), Wexner Center for the Arts, Columbus, OH Mirage (curated by Julie Ault and Martin Beck), Alexander and Bonin, New York Inaugural exhibition, Orchard, New York |
| 2004 | Bottle, Aldrich Museum, Ridgefield, CT |
| 2003 | Pop Rocks, Caren Golden Gallery, New York Afternoon Delight (curated by Max Henry), Caren Golden Gallery, New York |
| 2002 | Rent-A-Bench (curated by Jacob Fabricius), Los Angeles Road Trip, Murray Guy, New York Nostalgia, Art In General, New York The Captain’s Road, Dublin, Ireland The Brewster Project, Brewster, NY |
| 1999 | The Order of Things (curated by Denise Markonish), Ramapo College, NJ The Modernist Document (curated by Nancy Shaw), Art Gallery of Concordia Univ., Montreal |
| 1998 | Moon To Moon, Massimo Audiello, New York |
| 1997 | New Jersey Arts Annual, Newark Museum, Newark, NJ Making Pictures: Women and Photography, 1975-Now, Nicole Klagsbrun Gallery, New York Gross Consumption, Walter Phillips Gallery, Banff, Alberta, Canada |
| 1996 | Lets Talk About Art, Art Metropole, Toronto, Ontario, Canada |
| 1995 | Gallery Emi Fontana, Milan, Italy |
| 1993 | The Mayfair Show (curated by Jason Simon), The Mayfair Club, New York Commodity Image, Institute of Contemporary Art, Boston Sex Money Politics, Nancy Drysdale Gallery, Washington, DC Commodity Image, International Center of Photography, New York The Realm of the Coin: Money in Contemporary American Art, Queens Museum of Art, New York |
| 1992 | Exposition Retrospective-Volet 1, Optica, Montreal Detour, International House, New York |
| 1991 | Animal/Vegetable/Mineral, N.A.M.E., Chicago Arte Joven en Nueva York, Sala RG, Caracas, Venezuela |
| 1990 | Gavin Brown, Moyra Davey, Jorge Pardo, Sarah Seager, Massimo Audiello Gallery, New York Spent: Currency, Security, and Art on Deposit (curated by The New Museum of Contemporary Art), Marine Midland Bank, New York Stendhal Syndrome: The Cure, Andrea Rosen Gallery, New York The Elements: Sex, Politics, Religion and Money, Real Art Ways/Erector Square Gallery, New Haven, CT |
| 1989 | American Fine Arts Co., New York |
| 1988 | Diverse Secrecies: The Garden, Presentation House, Vancouver |
| 1986 | Moyra Davey- David Miller – Gabor Szilasi, Le Studio Blanc, Montreal |
| 1985 | Naked, Boulder Center For The Visual Arts, Boulder, CO Portraits, Articule, Montreal Nudité et Sexualité, Dazibao, Montreal |
| 1984 | Robert Boffa – Moyra Davey – Tony Fouhse, Dazibao, Montreal Seeing People – Seeing Space, Photographers’ Gallery, London Seeing People – Seeing Space, National Museum Of Photography, Film And Television, Bradford, UK |
| 1982 | Trèize à Optica, Optica, Montreal |
Awards, Fellowships and Grants
| 2015 | Paul de Hueck and Norman Walford Career Achievement Award |
| 2010 | Louis C. Tiffany Foundation Award |
| 2008 | International Residencies Program, Cité des Arts, Paris, September 2008 |
| 2004 | Anonymous Was a Woman |
| 1995 | Canada Council B-Grant Art Matters Fellowship |
| 1992 | Canada Council Project Grant |
| 1989 | Canada Council Project Grant Art Matters Fellowship |
| 1987 | Canada Council B-Grant |
| 1985 | Canada Council Project Grant Ontario Arts Council Exhibition Assist |
| 1984 | Ontario Arts Council A-Grant |
| 1983 | Ontario Arts Council Exhibition Assist Canada Council Short Term Grant |
| 1982 | Canada Council Short Term Grant |
Public Collections
Art Gallery of Ontario, Toronto
The Art Institute of Chicago, Chicago
Canada Art Bank Collection
Carnegie Museum of Art, Pittsburgh
The Fogg Art Museum, Harvard University, Cambridge
Foundation 20/21, New York
Fondation Stichting A, Brussels
The Institute of Contemporary Art, Boston
Mildred Lane Kemper Art Museum, St. Louis
The Museum of Modern Art, New York
The Metropolitan Museum of Art, New York
The Whitney Museum of American Art, New York
Tate Modern, London
Museo Nacional Centro de Arte Reina Sofia, Madrid
Museum of Contemporary Art, Los Angeles
The National Gallery of Art, Washington
National Gallery of Canada, Ottawa
San Francisco Museum of Modern Art, San Francisco
Smith College Museum of Art, Northampton, Massachusetts
Solomon R. Guggenheim Museum, New York
Museo Jumex, Mexico City
Philadelphia Museum of Art
Museum Moderner Kunst Stiftung Ludwig, Vienna
Museum of Contemporary Photography, Chicago
Art Gallery of Ontario, Toronto
Books and Monographs
| 2015 | Moyra Davey and Hannah Gregory, #09 The Revenants, Willfried Lenz Rotterdam Mothers. Text by Moyra Davey. London: greengrassi, 2015. |
| 2014 | Moyra Davey: Burn the Diaries. Brooklyn: Dancing Foxes Press; Vienna: MuMOK; Philadelphia: Institute of Contemporary Art, 2014. Texts by Moyra Davey and Allison Strayer. Moyra Davey: I’m Your Fan. Edited by Camilla Wills. London: Camden Arts Centre, 2014. Texts by Moyra Davey. |
| 2013 | Empties. Vancouver: Presentation House, 2013. |
| 2010 | Speaker Receiver. Berlin: Sternberg Press, 2010. Essays by George Baker, Bill Horrigan, Chris Kraus, and Eric Rosenberg, and an interview by Adam Szymczyk. Copperheads. Toronto: Byewater Bros. Editions, 2010. |
| 2008 | Long Life Cool White: Photographs and Essays by Moyra Davey. Cambridge, MA: Harvard University Art Museums; New Haven: Yale University Press, 2008. Introduction by Helen Molesworth. |
| 2003 | The Problem of Reading. Los Angeles: Documents Books, 2003. |
| 2001 | Mother Reader: Essential Writings on Motherhood. New York: Seven Stories Press, 2001. |
Selected Artist’s Writings and Publications
| 2016 | Walk Write Friday (2015). Mother Mother 1 (2016), pp. 28–29 Walk Write Mary (2015). In Emily Roysdon Uncounted: Call & Response. Ed. Kristin Poor. Vienna: Secession; Berlin: Revolver Press, 2016 |
| 2014 | “A Vase of Dead Flowers.” In Herstory Inventory: 100 Feminist Drawings by 100 Artists. Ed. Barbara Schröder, Karen Kelly, and Ulrike Müller. Brooklyn: Dancing Foxes Press, 2014, p. 180 “Selections from Copperheads 101–200 (2013).” Blindspot, no. 47, Twentieth Anniversary Issue (2014), pl. 67 [Seven images from Valerie Plame]. Concreta 03 (Spring 2014), pp. 100–113 |
| 2013 | “Burn the Diaries.” Art Journal 72, no. 1 (Spring 2013), pp. 36–45 “Channeling.” In Way of the Shovel: Art as Archaeology. Chicago: Museum of Contemporary Art and University of Chicago Press, 2013, pp. 90–91 |
| 2012 | “Polyvalence.” Art in America (January 2012), p. 40 |
| 2009 | “Pierre Leguillon-Diane Arbus.” Reviewed by Jason Simon and Moyra Davey. Artforum (April 2009) “Letter from Paris.” In Words Without Pictures. Ed. Alex Klein. Los Angeles: Los Angeles County Museum of Art, 2009, pp. 379–381 |
| 2008 | “Maroon.” Cabinet, no. 30 (Fall 2008) “A conversation with Moyra Davey.” Jess T. Duggan, www.bigredshiny.com, April 2008 “Photography and Accident” (portfolio). The Chronicle of Higher Education, 21 April 2008 |
| 2006 | “Away From Home.” LTTR #4: Do You Wish to Direct Me? (2006) “Events.” Cabinet, no. 19 (2006) |
| 2002 | “Avenue of the Americas.” l’Inconvénient (February 2002) |
| 1999 | The Modernist Document. Ed. Nancy Shaw. Montreal: Leonard and Bina Ellen Art Gallery, 1999 |
| 1997 | Copperheads (portfolio). Harper’s (December 1997) |
| 1996 | Echoes: Contemporary Art at the Age of Endless Conclusions. Ed. Francesco Bonami. New York: Monacelli Press, 1996 |
| 1995 | Newsstands (portfolio). Grand Street, NYC (September 1995) |
Selected Bibliography
| 2016 | Aletti, Vince. “Moyra Davey.” The New Yorker, 23 May 2016, p. 10 Cruz, Cynthia. “Moyra Davey Channels the Ghost of Derek Jarman.” Hyperallergic, 20 May 2016 Schwendener, Martha.“Moyra Davey: ‘7 Albums.’”The New York Times, 5 May 2016, p. C20 Steadman, Ryan. “In Real Time: Moyra Davey at Murray Guy.” New York Observer, 22 April 2016 |
| 2015 | Cotter, Holland. “Roots of Conceptual Art, Caught by a Camera’s Eye.” The New York Times. 3 December 2015 Kirby, Jen. “These Photos of ’90s Newsstands Will Take You Back to a Grittier (and Cheaper) New York City.” New York Magazine, 10 May 2015 Heinrich, Will. “Photo-Poetics: An Anthology at the Guggenheim.” Aperture, 4 December 2015 Jacobson, Louis. “A Brief History of Time (and Memory) at the National Gallery of Art.” Washington City Paper, 7 July 2015 Lloyd, Kathryn. “Moyra Davey: You’re a nice guy to let me hold you like this.” Art Monthly (October 2015), pp. 29–30 Sam, Sherman. “Moyra Davey.” Artforum.com, Critics Picks. October 2015 Schwendener, Martha. “Review: Metropolitan Museum Looks at Photos That May Last.” The New York Times, 5 May 2015 |
| 2014 | Adams, Abraham. “Three Cups Fragrance.” Artforum.com 17 December 2014 Feldman, Hannah. “The Way of the Shovel.” Artforum (February 2014), p. 207 Fitzpatrick, Corrine. “Moyra Davey.” Artforum.com, 20 March 2014 Gartenfeld, Alex and Norman Rosenthal, eds. Empire State. Milano: Skira, 2013, pp. 38, 81 Goldberg, Ariel and Rachel Levitsky. “A same time speed: Moyra Davey’s The Problem of Reading.” Jacket2.org, 5 January 2014 Heinrich, Will. “‘Moyra Davey: Ornament and Reproach’ at Murray Guy.” Gallerist.com, 26 March 2014 Herstory Inventory: 100 Feminist Drawings by 100 Artists. Ed. Barbara Schröder, Karen Kelly, and Ulrike Müller. Brooklyn: Dancing Foxes Press, 2014, p. 180 Johnson, Ken. “‘Displayed’ at Anton Kern Gallery.” The New York Times, 25 July 2014, p. C20 Lebovici, Elisabeth. “Moyra Davey.” BOMB, no. 129 (Fall 2014) p. 28–35. Möller, Sabrina. “Interview with Moyra Davey.” Artandsignature.com, 21 February 2014 The Pennsylvania Gazette. “Thefts, Words Memories.” 31 October 2014 Schwabsky, Barry. “Favorite Hallucinations.” The Nation, 30 May 2014 Templeton, Marianne. “Parts and Labor.” ArtSlant.com, 6 May 2014 Strayer, Alison. “Dialogue in a Spare White Room.” In Moyra Davey: Burn the Diaries. Brooklyn: Dancing Foxes Press; Vienna: MuMOK; Philadelphia: Institute of Contemporary Art, 2014, pp. 33–46Witkovsky, Matthew. “Rescripted, After a conversation between Moyra Davey and Matthew S. Witkovsky.” Aperture, no. 217, Lit. Issue (Winter 2014), Cover, p. 25, 50-56. |
| 2013 | Ault, Julie, et. al., eds. Tell it to My Heart: Collected by Julie Ault. Ostfildern: Hatje Cantz Verlag, 2013, pp. 29, 67 Gratza, Agnieszka. “Moyra Davey: Tate Liverpool.” artforum.com, 26 July 2013 Herbert, Martin. “Moyra Davey: Hangmen of England.” Camera Austria, no. 123, 2013, pp. 84–85 Lund, Karsten. “Moyra Davey.” In Way of the Shovel: Art as Archaeology. Chicago: Museum of Contemporary Art and University of Chicago Press, 2013, p. 82. Plates, pp. 83–89 Malone, Theresa. Interview with Moyra Davey. The Guardian, 5 June 2013, G2, p. 19 |
| 2012 | Altman, Anna. “Moyra Davey Takes a Chance.” The New Yorker, 5 August 2012 Latimer, Quinn. “Woman of Letters.” Frieze (May 2012)Leaver-Yap, Isla. “Pygmalion Desire in Les Goddesses.” Afterall (Spring 2012), pp. 27–35 Rifkin, Adrian. “Light, and Dust – on Moyra Davey’s video Hujar/Palermo.” In Status – 24 Contemporary Documents. Winterthur: Fotomuseum Winterthur, 2012, pp. 94–95 Schwabsky, Barry. “Moyra Davey at Murray Guy.” Artforum (Summer 2012) Teasdale, Paul. “Moyra Davey – greengrassi.” Frieze (January 2012) Verhagen, Marcus. “Moyra Davey: Slack Time.” Afterall (Spring 2012), pp. 19–25 |
| 2011 | Bell-Jones, Gareth. “Moyra Davey’s ‘Les Goddesses’ at greengrassi.” art agenda, 8 November 2011 Cairns, Steven. “Moyra Davey – greengrassi.” artforum.com, 17 October 2011 Meade, Fionn. “Moyra Davey.” Spike Magazine (Autumn/Winter 2011) |
| 2010 | Archey, Karen. “Moyra Davey – Murray Guy.” MAP, no. 21 (Spring 2010) Baier, Simon. “Epikuräische Atome – Moyra Davey in der Kunsthalle Basel.” Texte zur Kunst, 20th year, no. 79 (September 2010), pp. 198–200 Baker, George. “Some Things that Moyra Taught Me.” Frieze (April 2010) Busta, Caroline. “Moyra Davey – Murray Guy.” Artforum (March 2010) del Vecchio, Gigiotto. Interview with Moyra Davey. Mousse, no. 26 (November 2010) Kraus, Chris. “Description Over Plot.” Where Art Belongs, Semiotext(e), 2010 Lebovici, Elisabeth. “Moyra Davey, Speaker Receiver.” May, no. 5 (October 2010), pp. 154–166 Maul, Tim. “Moyra Davey – Murray Guy.” Art in America (March 2010) Schoonmaker, Trevor, ed. The Record: Contemporary Art and Vinyl, exh. cat., Nasher Museum of Art, Duke University Smith, Roberta. “Varieties of Abstraction.” The New York Times, 6 August 2010 Witkovsky, Matthew. “Another History.” Artforum (March 2010) Adams, James. “The interior shift of photographer Moyra Davey.” The Globe and Mail, 2 November 2010 |
| 2009 | Cotter, Holland “Golden Oldies all over Chelsea.” The New York Times, 4 December 2009 Gopnik, Blake. “Head north and follow the signs of contemporary times.” The Washington Post, 22 November 2009 “Moyra Davey.” The New Yorker, 21 December 2009 |
| 2008 | Burton, Johanna. “Moyra Davey.” Artforum (November 2008) Cooke, Lynne. “Top Ten.” Artforum (December 2008) Ebner, Shannon. “Best of 2008.” Artforum (December 2008) Feeney, Mark. The Boston Globe, 23 March 2008 Harris, Larissa. “Two or Three Things I Know About Her.” Artforum (May 2008) Wash, Meeka. “A Certain Kind of Distance.” Border Crossings, no. 108, 2008 |
| 2006 | Sundell, Margaret. “Reality/Play.” Time Out New York, 22–28 June 2006 |
| 2004 | Sundell, Margaret. Time Out New York, 8–15 January 2004 |
| 2003 | Johnson, Ken. “Art in Review.” The New York Times, Friday, 19 December 2003 Schwendener, Martha. “Afternoon Delight.” Time Out New York, 10 July 2003 |
| 1999 | Harrison, Helen. The New York Times, 10 October 1999 |
| 1996 | Aletti, Vince. “Voice Choice.” The Village Voice, 12 March 1996 McAllister, Jackie. “Newsstands.” Grand Street, no. 54, p. 136 Smith, Roberta. “Moyra Davey.” The New York Times, Friday, 1 March 1996 Van de Walle, Mark. “Moyra Davey.” Artforum (Summer 1996) |
| 1993 | Brodie, Jacky. Print Collector’s Newsletter 24, no. 5 (November/December 1993) |