ROSALIND NASHASHIBI
Born 1973, Croydon, UK
Lives and works in Liverpool, UK
Education
| 2000 | MFA Fine Art, Glasgow School of Art |
| 2000 | MFA Exchange CalArts, California |
| 1995 | BA Painting Sheffield Hallam University |
Solo Exhibitions
| 2016 | Two Tribes, Murray Guy, New York On This Island, University Art Gallery, Claire Trevor School of the Arts, University of California, Irvine |
| 2015 | Electrical Gaza, Imperial War Museum, London |
| 2013 | The Painter and the Deliveryman, Objectif Exhibitions, Antwerp Carlo’s Vision, Murray Guy, New York |
| 2011 | Carlo’s Vision, Body Habits, Nomas Foundation, Rome Carlo’s Vision, Sacred and Profane, Peep-Hole, Milan |
| 2010 | Woman Behind a Cushion, Tulips and Roses, Brussels Nashashibi / Skaer, Murray Guy, New York |
| 2009 | Bergen Kunsthall, Norway ICA, London Projects in Art and Theory, Cologne Stuttgart Kunstlerhaus |
| 2008 | Presentation House, Vancouver Bachelor Machines, Professional Gallery, OCAD, Toronto |
| 2007 | Berkeley Art Museum, Berkeley, California Bachelor Machine Part 2, Statements, Art Basel, (Harris Lieberman, New York) Bachelor Machine, Chisenhale Gallery, London |
| 2006 | Harris Lieberman, New York |
| 2005 | Counter Gallery, London |
| 2004 | Over In, Kunsthalle, Basel Five Films, SOFA Gallery, Art and Industry Biennial, Christchurch, New Zealand Hreash House, Lightbox, Tate Britain, London Songs for Home and Economy, CCA, Glasgow |
| 2003 | Temple Bar Gallery, Dublin Humaniora, Visions for the Future V, The Fruitmarket Gallery, Edinburgh |
| 2001 | Open Day, Transmission Gallery Basement, Glasgow |
Selected Group Exhibitions
| 2017 | Documenta 14, Athens, Greece and Kassel, Germany |
| 2016 | Ghosts of Other Stories, the British Council Collection at The Model, Sligo, Ireland |
| 2015 | Corps Simples, Centre Pompidou, Malaga Trial/Error/Art, Holden Art Gallery Sudoku, Kunstverein, Munich A Million Lines, Baltic Triennial, Bunkier Sztuki, Krakow, Poland |
| 2014 | Lovely Young People, (Beautiful Supple Bodies), Murray Guy, New York (solo project presentation) Ten Thousand Wiles and a Hundred Thousand Tricks, Contemporary Image Collective, Cairo Allegory of the Cave Painting (curated by Mihnea Mircan), Extra City, Kunsthal, Antwerp The Registry of Promise: The Promise of Multiple Temporalities, Museum Parc St Léger, Pougues-les-Eaux, France Sound and Vision (curated by Kevin Moore), Paris Photo, Los Angeles |
| 2013 | Fusiform Gyrus (curated by Raimundas Malasauskas), Lisson Gallery, London Home, Land and Sea, Manchester Art Gallery Northern Art Prize, Leeds Art Gallery, Leeds The Assistants, David Kordansky Gallery, Los Angeles |
| 2012 | Glasgow International Festival of Visual Art, commission with Scottish Ballet, Glasgow Migrations, Tate Britain, London |
| 2011 | Erre – variations labyrinthiques, Centre Pompidou, Metz Time Again, Sculpture Center, New York Sharjah Biennial 10, Sharjah Case Histories, Alex Zachary, New York |
| 2010 | Repetition Island, Pompidou Centre, Paris Lux/ICO Artist’s Cinema Commissions, released in cinemas across the UK Into the Belly of a Dove, Tamayo Collection, Museo Tamayo, Mexico City The Happy Interval, Croy Nielsen, Berlin The Future Demands Your Participation, Minsheng Art Museum, Shanghai |
| 2009 | Running Time: Artist Films in Scotland 1960 to now, Dean Gallery, Edinburgh Sculpture of the Space Age, David Roberts Art Foundation, London Horizontale Durchlässigkeiten, Gebert Stiftung für Kultur, ALTEFABRIK, Switzerland John Kobal New Work Award, Whitechapel, London Flicker, British Council, Damascus Don’t Expect Anything, Francesca Minini, Milan |
| 2008 | Manifesta 7, Trento Éclats de frontières, nouvelles acquisitions, FRAC Paca, Marseille She Doesn’t Think So but She’s Dressed for the H-bomb, Tate Modern, London Seven Types of Ambiguity, STORE, London |
| 2007 | Winter Palace, De Ateliers, Amsterdam MACBA In Frankfurt, Frankfurter Kunstverein, Frankfurt Scotland & Venice, 52nd Venice Biennale, Venice Contour, 3rd Biennial for Video Art, Mechelen, Belgium Pensée sauvage – On freedom, Kunstverein Frankfurt/Ursula Blickle Foundation, Germany Alabama, Office Baroque, Antwerp La femme de nulle part, doggerfisher, Edinburgh May the Twelfth, STORE, London |
| 2006 | How to Improve the World – 60 Years of British Art, Hayward Gallery, London Momentum 2006, Nordic Biennial of Contemporary Art, Moss, Norway Around the World in Eighty Days, ICA, London British Art Show 6, Baltic, Gateshead and touring UK venues |
| 2005 | Acid Rain, Galerie Michel Rein and Glassbox, Paris A Certain Tendency in Representation, Cine Club, Thomas Dane Gallery, London Double Vision, Magazzino D’Arte Moderna, Rome |
| 2004 | Pass the Time of Day, Gasworks, London; and touring to UK venues Expander, Royal Academy of Arts at Burlington Gardens, London Sodium and Asphalt, Museo Tamayo, Mexico City; Marco, Monterrey Yugoslav Biennial of Young Artists, Belgrade and Vrsac Britannia Works, various venues, Athens |
| 2003 | Displaced, Hammer Projects, UCLA Hammer Museum, Los Angeles Hidden in a Daylight, Foksal Gallery, Warsaw Zenomap, 50th Venice Biennial, Venice Beck’s Futures, ICA, London; CCA, Glasgow; Southampton City Art Gallery, Southampton, UK |
| 2002 | Palestine International Video Festival, various venues, West Bank and East Jerusalem |
| 2001 | Getting Closer, La Centrale, Montreal Persistence of Vision, 55th International Film Festival, Edinburgh |
Awards
| 2014 | Paul Hamlyn Foundation Award for Artists |
| 2013 | Current Northern Art Prize (short list) |
| 2008 | John Kobal New Work Award, Whitechapel Gallery |
| 2006 | Decibel Award |
| 2003 | Beck’s Futures Art Prize |
| 2002 | A M Qattan Foundation Artist’s Award |
Public Collections
Arts Council of England Collection
British Council Collection
City Art Centre, Edinburgh
FRAC Paca
Leeds City Art Gallery
MACBA Barcelona
National Galleries of Scotland
Tate Collection
Books and Monographs
| 2012 | Rosalind Nashashibi. Drawing Room Confessions Issue #6. London: Drawing Room Confessions; Milan: Mousse Publishing, 2012 |
| 2009 | Rosalind Nashashibi. London: Institute of Contemporary Art; Bergen: Bergen Kunsthall, 2009. Texts by Martin Herbert, Dieter Roelstraete, and Rosalind Nashashibi. Interview with Rosalind Nashashibi by Mark Sladen and Solveig Øvstebø |
| 2007 | Proximity Machine: Rosalind Nashashibi. Ed. Nav Haq. Scottish Arts Council, Arts Council England, Bookworks, London, 2007. Text by Will Bradley |
| 2004 | Rosalind Nashashibi: Over In. Basel: Kunsthalle Basel, 2004. Text by Adam Szymczyk |
| 2003 | Rosalind Nashashibi. Edinburgh: Fruitmarket Gallery, 2003. Essays by Francis McKee, Lucy Skaer, and Sarah Tripp |
Selected Bibliography
| 2015 | Davidson, Alex. “Rosalind Nashashibi.” Artforum, 12 October 2015 Vasey, George. “Gaza Stripped.” Art Monthly, 15 November 2015 |
| 2014 | “Rosalind Nashashibi.” Modern Painters (January 2014), p. 98 Saelemakers, Samuel. “Rosalind Nashashibi’s The Painter and The Deliveryman.” NYArts (January 2014) |
| 2013 | Meade, Fionn, ed. The Assistants. Los Angeles: David Kordansky Gallery; Milan: Mousse Publishing, 2013 “Rosalind Nashashibi.” The New Yorker, 14 October 2013 Wilson, Michael. How to Read Contemporary Art: Experiencing the Art of the 21st Century. Antwerp: Ludion; New York: Abrams, 2013 |
| 2012 | Rosalind Nashashibi. Drawing Room Confessions Issue #6. London: Drawing Room Confessions; Milan: Mousse Publishing, 2012 |
| 2011 | Cotter, Suzanne, ed. Plot for a Biennial: Sharjah Biennial 10. Sharjah: Sharjah Art Museum, 2011 Erre: Variations Labyrinthiques. Metz: Centre Pompidou Metz, 2011 Latronico, Vincenzo. “Carlo’s Vision.” Domus Magazine, 21 September 2011 Meade, Fionn, ed. Time Again. New York: Sculpture Center, 2011 Nicolin, Paola. “Rosalind Nashashibi.” Artforum (December 2011), p. 271 |
| 2010 | Creamier. London: Phaidon Press Limited, 2010 Demos, T.J. “Rosalind Nashashibi.” Artforum (March 2010) Dillon, Brian. “Rosalind Nashashibi.” Frieze Magazine, no. 128 (January–February 2010) Teets, Jennifer. “Rosalind Nashashibi.” Frieze Magazine (October 2010) |
| 2009 | “Art review: Rosalind Nashashibi.” scotsman.com, 14 September 2009 Cumming, Laura. “Rosalind Nashashibi.” The Observer, 13 September 2009 Darwent, Charles. “Rosalind Nashashibi.” Independent, 19 September 2009 Field, Alex. “Rosalind Nashashibi at the ICA.” artslant.com, 12 October 2009 Herbert, Martin. “The Go-Between.” In Rosalind Nashashibi. London: Institute of Contemporary Art; Bergen: Bergen Kunsthall, 2009, pp. 25–28 Horizontale Durchlässigkeiten: Rosalind Nashashibi, Elodie Pong, Haegue Yang. Rupperswil: Alte Fabrik, 2009 Huberman, Anthony, ed. For the blind man in the dark room looking for the black cat that isn’t there. St. Louis: Contemporary Art Museum St. Louise; Lisbon, Culturgest, 2009 Jones, Jonathan. “Rosalind Nashashibi and the film as art.” The Guardian online, 23 September 2009 McIver, Gillian. “Rosalind Nashashibi solo show.” Interface, 21 October 2009 Robecchi, Michele. “Film Makes Time [Interview].” Mousse Magazine, no. 19 (June 2009) Roelstraete, Dieter. “Questioning the Machine.” In Rosalind Nashashibi. London: Institute of Contemporary Art; Bergen: Bergen Kunsthall, 2009, pp. 49–55 Rose, Sam. “Rosalind Nashashibi.” studio-international.co.uk, 16 September 2009 Sladen, Mark, and Solveig Øvstebø. “Interview with Rosalind Nashashibi.” In Rosalind Nashashibi. London: Institute of Contemporary Art; Bergen: Bergen Kunsthall, 2009, pp. 87–90 Ward, Ossian. “Rosalind Nashashibi.” Time Out, 11 September 2009 Williams, Eliza. “Rosalind Nashashibi.” Flash Art, no. 269 (November–December 2009) |
| 2008 | Griffin, Jonathan. “Postcards from Manifesta.” Frieze blog, 17 July 2008 Herbert, Martin. “5th Berlin Biennial.” Frieze Magazine, no. 115 (May 2008) Herbert, Martin. “Looking Out.” Frieze Magazine, no. 115 (May 2008) Manifesta 7. Milan: Silvana Editorial, 2008 When Things Cast No Shadow: 5th Berlin Biennial for Contemporary Art. Zurich: JRP Ringier, 2008, pp. 224, 340–343 |
| 2007 | Ledwith, Colin, and Polly Staple, eds. You have not been honest: Contemporary film and video from the UK. London: British Council, 2007 Martin, Courtney J. “May the Twelfth.” Frieze Magazine, no. 106 (April 2007) Pensée Sauvage, On Freedom. Frankfurt: Revolver Verlag, 2007 Tomlinson, Ben. “Rosalind Nashashibi: Bachelor Machines Part 1.” Artvehicle 15 (2007) |
| 2006 | Momentum: Nordic Biennial of Contemporary Art. Moss: Momentum Kunsthalle, 2006 How to Improve the World: 60 Years of British Art. London: Hayward Gallery, 2006 Gronlund, Melissa. “Momentum 2006.” Frieze Magazine, no. 103 (November–December 2006) Mulholland, Neil, and Andrew Hunt. “British Art (does It) Show?.” Frieze Magazine, no. 96 (January–February 2006) |
| 2005 | Britannia Works. Athens: British Council, 2005 Gronlund, Melissa. “A Certain Tendency in Representation.” Frieze Magazine, no. 95 (November–December 2005) Higgie, Jennifer. “Focus: Rosalind Nashashibi.” Frieze Magazine, no. 88 (February 2005) Mulholland, Neil. “Expander.” Frieze Magazine, no. 88 (February 2005) Sodium and Asphalt. Mexico City: Museo Tamayo; Monterrey: MARCO, 2005 |
| 2004 | “On having a take: Rosalind Nashashibi and Catherine Yass talk about making work in Israel/Palestine.” Bidoun, no. 02 (Fall 2004) Szymczyk, Adam. Rosalind Nashashibi: Over In. Basel: Kunsthalle Basel, 2004, pp. 7–8 |
| 2003 | Beck’s Futures 2003. London: Institute of Contemporary Art, 2003 Hidden in a daylight. Warsaw: Foksal Gallery, 2003 McKee, Francis. “Beyond Meantime.” In Rosalind Nashashibi. Edinburgh: Fruitmarket Gallery, 2003, pp. 7–13. Searle, Adrian. “The future’s dim.” The Guardian, 8 April 2003 Skaer, Lucy. “Rosalind’s Patterns.” In Rosalind Nashashibi. Edinburgh: Fruitmarket Gallery, 2003, pp. 19–25 Tripp, Sarah. “The Inside of an Ambulance.” In Rosalind Nashashibi. Edinburgh: Fruitmarket Gallery, 2003, pp. 46–48 |
| 2001 | Zero Gravity. Nantes: Zoo Galerie, 2001 |