MATTHEW BUCKINGHAM
Born 1963 in Nevada, Iowa
Lives and works in New York
Education
| 1997 | Whitney Independent Study Program, New York |
| 1996 | MFA, Bard College, Annandale-On-Hudson, NY |
| 1988 | BA, film production and film studies, The University of Iowa, Iowa City, IA |
| 1984 | The School of the Art Institute of Chicago |
Solo Exhibitions
| 2011 | Where Will We Live?, Glassell School of Art, Museum of Fine Arts Houston, Houston Matthew Buckingham: The Spirit and the Letter, Elizabeth A. Sackler Center for Feminist Art, The Brooklyn Museum, New York Caterina van Hemessen is Twenty Years Old, Art Unlimited, Art | 42 | Basel, Switzerland |
| 2010 | Likeness, Murray Guy, New York Konrad Fischer Galerie, Düsseldorf Landings, Vestfossen, Norway |
| 2009 | Matthew Buckingham: Time Proxies, Museo Nacional Centro de Arte Reina Sofía, Madrid Museum of Contemporary Art, Denver, CO |
| 2008 | Will Someone Please Explain It To Me, I’ve Just Become a Radical, Murray Guy, New York Matthew Buckingham, “From 1957 to 1969 This Building Was Empty”, The Art Institute of Chicago, Chicago Paleography, Konrad Fischer Galerie, Berlin Murray Guy, New York Index, Stockholm Play the Story, Frac Bourgogne, Dijon, France; traveling to Des Moines Art Center, Des Moines, IA; Henry Art Gallery, Seattle, WA |
| 2007 | Half Remembered, ArtPace, San Antonio, TX Everything Has a Name, Hamburger Bahnhof – Museum fuer Gegenwart, Berlin Play the Story, Camden Arts Centre, London, UK; travelling to DCA Dundee Contemporary Arts |
| 2006 | Messages from the Unseen – Matthew Buckingham/Joachim Koester, Lunds Konsthall, Lund, Sweden |
| 2005 | Time Lines, Kunstverein und Kunstmuseum St. Gallen, Switzerland The Distribution of Sensibility v.1: Muhheakantuck – Everything Has a Name, Midway Contemporary Art, Minneapolis, MN Currents 94: Matthew Buckingham, St. Louis Art Museum, St. Louis, MO Sandra of the Tuliphouse or How to Live in a Free State (with Joachim Koester), The Kitchen, New York Introduction to a Scientific Aesthetics (with Dora Garcia), Fundación Telefonica, Madrid Westfälischer Kunstverein, Münster, Germany |
| 2004 | Muhheakantuck – Everything Has a Name, Murray Guy, New York Concentrations 44: Matthew Buckingham, A Man of the Crowd, Dallas Museum of Art, Dallas, TX |
| 2003 | A Man of the Crowd, Murray Guy, New York A Man of the Crowd, Museum Moderner Kunst Stiftung Ludwig, Vienna Subcutaneous, Charles H. Scott Gallery, Vancouver |
| 2002 | Definition, P.S.1 Contemporary Art Center, Long Island City, NY |
| 2001 | Subcutaneous, Murray Guy, New York Matthew Buckingham: Video Ab Acht, Schnitt Ausstellungsraum, Cologne Sandra of the Tuliphouse or How to Live in a Free State, (with Joachim Koester) x-rummet, Statens Museum for Kunst, Copenhagen, Denmark; Capecete Projects, Rio de Janeiro, Brazil (cat.) |
| 2000 | Situation Leading to a Story, Galleri Tommy Lund, Copenhagen, Denmark |
| 1999 | Contemporary Film and Video: Matthew Buckingham, Moderna Museet, Stockholm Films + Photographs + Drawings, Murray Guy, New York |
| 1998 | Sandra of the Tuliphouse, (with Joachim Koester), Institute of Visual Arts, University of Wisconsin-Milwaukee, WI |
Selected Group Exhibitions
| 2017 | I Remember Not Remembering, Scottsdale Museum of Contemporary Art, Scottsdale, AZ Natural Histories (working title), Museum Moderner Kunst Stiftung Ludwig, Vienna |
| 2016 | A Hole in the Sea, Württembergischer Kunstverein, Stuttgart, Germany About Time: Photography in a Moment of Change, San Francisco Museum of Modern Art, San Francisco On the Shoulders of Giants, Kunsthalle Mainz, Germany Beyond the Barrier of Sound and Soon, of Light, AKA artist-run, Saskatoon, SK, Canada Life inside an Image, Monash University Museum of Art, Melbourne, Australia |
| 2015 | Time / Image, Blaffer Art Museum, University of Houston, Houston; traveling to Krannert Art Museum, University of Illinois at Urbana-Champaign, IL (2016) Le point de fuite de l’Histoire, L’éte photographique, Lectoure, France Rewriting Histories, Fotografisk Centre, Copenhagen Riddle of the Burial Grounds, Project Arts Centre, Dublin Le point de fuite de l’histoire, L’éte photographique, Centre d’art e photographie de Lectoure, Lectoure, France The Devil is in the Details, KaBe Contemporary, Miami When Artists Speak Truth…, The 8th Floor, New York |
| 2014 | Sitelines: Unsettled Landscapes, SITE Santa Fe, Santa Fe, NM Infinite Tuning, Murray Guy, New York Americans in New York 3, Galerie Michel Rein, Paris L’avenir (looking forward), La Biennale de Montrêal, Montreal Unsettled Landscapes, SITElines 2014, Site Santa Fe, Santa Fe, NM Urban Psychosis, Holden Gallery, Manchester School of Art, Manchester Matthew Buckingham, Zoe Leonard, Gordon Matta-Clark, Murray Guy, New York Home Sweet Home: À propos de l’inquiétude, Dazibao, Montreal The Dying of the Light: Film as Medium and Metaphor, MASS MoCA, North Adams, MA The Silent Way, Simon Preston Gallery, New York Un Nouveau Festival, Centre Pompidou, Paris INTERACT: Deconstructing Spectatorship, East Wing Biennial, The Courtauld Institute of Art, London |
| 2013 | Approximately Infinite Universe, Museum of Contemporary Art, San Diego, CA Das Ende des 20. Jahrhunderts. Es kommt noch besser. Ein Dialog mit der Sammlung Marx, Hamburger Bahnhof, Berlin Le Pont, Musée d’Art Contemporain, Marseille, France Surface Tension, Oakville Galleries, Toronto Step Right In, Visual Arts Center, University of Texas, Austin, TX |
| 2012 | When Attitudes Become Form Become Attitudes, CCA Wattis Institute, San Francisco, CA A common feeling, gb agency, Paris Light & Landscape, Storm King Art Centre, Mountainville, NY Man in the Holocene, MIT List Arts Centre, Boston |
| 2011 | Time Again, Sculpture Center, Long Island City, New York The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City, UT The Wilderness, Miami Art Museum, Miami Personal Tempest, Neue Galerie Innsbruck, Austria Formally Speaking: Line Made by Walking, Haifa Museum of Art, Haifa, Israel Living History, Nicolaysen Art Museum, Caper, WY |
| 2010 | Never The Same River (Possible Futures, Probable Pasts), curated by Simon Starling, Camden Arts Centre, London Constructing History, curated by Luis Silva, Kunsthalle Lissabon Convent of the Order of Christ, Lisbon Vectors of the Possible, curated by Simon Sheikh, BAK Basis fuer Aktuelle Kunst, Utrecht, the Netherlands Polis Polis Potatismos, Malmö Konsthall, Malmö, Sweden; Dragør Strandhotel, Kopenhagen Contemporary, Copenhagen Between Here and There: Passages in Contemporary Photography, Metropolitan Museum of Art, New York False Divide: abstraction and representation in a few photographic works, Miguel Abreu Gallery, New York Murder at the Savoy, Malmö Konsthall, Malmö, Sweden Mixed Use, Manhattan: Photography and Related Practices 1970s to the present, Museo Nacional Centro de Arte Reina Sofía, Madrid Undercurrents: Experimental Ecosystems in Recent Art, Whitney ISP at the Kitchen, New York 50 Artists Photograph The Future, curated by Dean Daderko, Higher Pictures, New York Nachleben, curated by Fionn Meade and Lucy Raven, Goethe-Institut Wyoming Building, New York First Nations/Second Nature, Audain Gallery SFU Woodwards, Vancouver |
| 2009 | Automatic Cities: The Architectural Imaginary in Contemporary Art, MCA San Diego, La Jolla, CA Surface Tension, Mercer Union, Toronto, CA Kurs: Torvet, Museet For Samtidskunst, Roskilde, Denmark Hidden in Remembrance is the Silent Memory of our Future, Contour – the 4th Biennial of Moving Image, Mechelen, Belgium Lives of the Hudson, Francis Young Tang Museum, Skidmore College, Saratoga Springs, NY H-Box, Orange County Museum of Art, Newport Beach, CA Uses of the Document, Centre Culturel Suisse, Paris Everything Has a Name, Or the Potential to be Named, Gasworks, London STILL / MOVING / STILL, Cultuurcentrum Knokke-Heist, Knokke, Belgium Code Share: 5 continents, 10 biennials, 20 artists, Contemporary Art Centre (CAC), Vilnius, Lithuania |
| 2008 | Questioning History: Imagining the Past in Contemporary Art, Nederlands Fotomuseum, Rotterdam, The Netherlands Theaters of Memory: Art and the Holocaust, The Jewish Museum, New York The Sound I’m Looking For, Charles H. Scott Gallery, Emily Carr Institute, Vancouver The Greenroom, CCS Bard Hessel Museum, Annandale-on-Hudson, NY Farewell to Post Colonialism: Thinking Through the Visual, The Third Guangzhou Triennial, Guangzhou, China Since we last spoke about monuments, Stroom, The Hague, The Netherlands The Cinematic, or Moving Images Expanded: Artists’ Film and Video Showcase 2008, Insa Art Space, Seoul Reality Check, Statens Museum for Kunst, Copenhagen Framing and Being Framed: The Uses of Documentary Photography, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT Nonknowledge, Projects Arts Centre, Dublin The Cinema Effect: Illusion, Reality, and the Moving, Part II: Realisms, Hirshhorn Museum and Sculpture Garden, Washington DC Peripheral Look and Collective Body, Museion, Bolzano Förlust/Loss, The Wanås Foundation, Knislinge, Sweden Headlines and Footnotes, Henie Onstad Art Centre, Oslo, Norway Fluid Street, Kiasma, Helsinki, Finland Shadow Cabinet, Extra City, Antwerp, Belgium Berlin-New York Dialogues: Building in Context, Center for Architecture, New York |
| 2007 | The Big Easy, ACC Galerie, Weimar and Halle 12 in der Baumwollspinnerei, Leipzig, Germany In the Poem About Love You Don’t Write the Word Love, Overagaden Institut for Samtidiskunst, Copenhagen Buckingham Cesarco Lawler Ruppersberg, Murray Guy, New York Taking Time, MARCO, Museum of Contemporary Art, Vigo, Spain Matthew Buckingham, Francis Cape, Kota Ezawa, Matthew Higgs, Murray Guy, New York To The Point: A New Reality: Black and White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ (cat.) Projecting Time, Badischer Kunstverein, Karlsruhe, Germany Mapping the City, Stedelijk Museum, Amsterdam Varsalongen 2007, Liljevalchs Konsthall, Stockholm |
| 2006 | 1,2,3… Avant–gardes: Film / Art between Experiment and Archive, CCA Ujazdowski Castle, Warsaw Personal Affairs. New Forms of Intimacy, Museum Morsbroich, Leverkusen, Germany 700% PLUS, KBH Kunsthal, Copenhagen Liverpool Biennial International 06, Liverpool, UK The Golden Hour, Gigantic ArtSpace, New York Nam June Paik Award 2006, Museum für Angewandte Kunst, Cologne No Reservations: Native American History and Culture in Contemporary Art, The Aldrich Contemporary Art Museum, Ridgefield, CT Société des nations factice et scindée en elle-même, Circuit, Lausanne, Switzerland Between the Lakes: Artists Respond to Madison, Madison Museum of Contemporary Art, Madison, WI Slow Revolution, The Rotunda Gallery, Brooklyn, NY Draft Deceit, Kunstnernes Hus, Oslo, Norway Forum expanded, Berlinale and Kunst-Werke Institute for Contemporary Art, Berlin |
| 2005 | This Storm Is What We Call Progress, Arnolfini, Bristol, UK I Beg Your Pardon – or the Reestablishing of Cordial Relations,The New School, New York I really should…, curated by Stefan Kalmar, Lisson Gallery, London This Side Toward Screen, Murray Guy, New York Post No Bills, White Columns, New York In Absentia, curated by Stephen Wright, Centre d’Art Passerelle, Brest, France (“my private”) HEROES, MARTa, Herford, Germany The Corcoran Biennial, The Corcoran Gallery of Art, Washington, DC Circa Berlin, curated by Simon Sheikh, Nikolaj, Copenhagen Contemporary Art Center, Copenhagen Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago; Hayward Gallery, London Documentary Creations, Kuntmuseum Luzern, Lucerne, Switzerland Matthew Buckingham, Markus Schinwald, Clemens von Wedemeyer, Galerie Klosterfelde, Berlin In words and pictures, Murray Guy, New York |
| 2004 | Faces in the Crowd, Whitechapel Art Gallery, London The Book as Object and Performance curated by Sara Reisman, Gigantic Art Space, New York Rear View Mirror, Kettle’s Yard, Cambridge, UK Common Property, Werkleitz Biennale, Halle, Germany Territories, Malmö Konsthall, Malmö, Sweden 4 and 4, Curator’s Choice New York/Berlin, (MB chosen by Anselm Frank), Müller De Chiara, Berlin Push the Envelope, curated by Lars Mathieson, Sparwasser HQ, Berlin |
| 2003 | Get Rid of Yourself, ACC Weimar & Stiftung Federkiel, Halle 14 Leipzig, Germany Territories (curated by Anselm Franck and Sine Bepler), Kunst-Werke, Berlin Homeland, Whitney ISP, CUNY Graduate Center, New York Watershed: The Hudson Valley Art Project, Beacon, NY and surrounding locations Cloudless, CCS Bard College, Annandale-on-Hudson, NY Inscribing the Temporal, Kunsthalle Exnergasse, Vienna Affinity Archive, Broadstone Studios, Dublin |
| 2002 | Rent-A-Bench, curated by Jacob Fabricius, Los Angeles Road Trip, Murray Guy, New York Nostalgia, Art In General, New York The Captain’s Road, Dublin The Brewster Project, Brewster, NY |
| 2001 | Plakartprojekt, organized by SITE & Schnitt Ausstellungsraum, Cologne Quality Street, Galleri Tommy Lund, Copenhagen Definition, Murray Guy, New York |
| 2000 | May Day Vienna, The Kunsthalle Exnergasse, Vienna La Ville, le Jardin, la Memoire–La Folie Section, Villa Medici/Académie de France, Rome (cat.) Vague but True (curated by Catsou Roberts), Galeri Asbaek, Copenhagen; Arnolfini, Bristol, UK Greater New York, P.S.1 Contemporary Art Center, Long Island City, NY |
| 1999 | Re-opening Show, Galleri Nicolai Wallner, Copenhagen Caravan, Astrotel Contemporary Art, Vienna The American Century, Whitney Museum of American Art, New York Close-Ups – Contemporary Art and Carl Th. Dreyer, Nikolaj Contemporary Art Center, Copenhagen (cat.) L.A. International, Blum & Poe, Santa Monica, CA You Assume Certain Places Exist, Galerie Mot & Van den Boogaard, Brussels Parking (organized by May Day Productions), High Bridge Park, NY |
| 1998 | Nuit Blanche, ARC Musée d’art moderne de la Ville de Paris, Paris (cat.) Something is Rotten in the State of Denmark, Museum Fridericianum, Kassel, Germany Screening, Apex Art P.C., New York |
| 1997 | Assorted Confabulations: Fiction + Interference, Consonni Centro de Prácticas Contemporáneas, Bilbao, Spain For Eyes and Ears, Galleri Tommy Lund, Odense, Denmark Three Rivers ArtsFestival, The Andy Warhol Museum, Pittsburgh, PA |
| 1996 | New Histories, The Institute of Contemporary Art, Boston Spot Gallery, New York |
| 1993 | Onion City, Randolph Street Gallery, Chicago Pages, 450 Broadway Gallery, New York |
| 1991 | New Work, Randy Alexander Gallery, New York |
| 1990 | Works on Paper, Paula Allen Gallery, New York |
Selected Screenings
| 2014 | Nouveau Festival, Centre Pompidou, Paris |
| 2009 | Passageworks Film Program, San Francisco Museum of Modern Art, San Francisco, CA |
| 2008 | Muhheakantuck – Everything Has a Name, Screenings on New York City water taxis, sponsored by CreativeTime, New York American Institute of Architects, New York |
| 2007 | Mapping the City video programme, Stedelijk Museum Bureau, Amsterdam Matthew Buckingham, Tate Modern, London In the Poem About Love You Don’t Write the Word Love (curated by Tanya Leighton), Midway Contemporary Art, Minneapolis, MN |
| 2006 | In the Poem About Love You Don’t Write the Word Love (curated by Tanya Leighton), Centre for Contemporary Arts, Glasgow, UK; Artists Space and Anthology Film Archives, New York; Midway Contemporary Art, Minneapolis, MN Shedhalle, Zürich, Switzerland |
| 2005 | A History of Forgetting, transit projektce, Prague In the Poem About Love You Don’t Write the Word Love (curated by Tanya Leighton), argosfestival, Brussels Cine y casi cine, Museo Nacional Centro de Arte Reina Sofia, Madrid MediaScope, The Museum of Modern Art, New York |
| 2004 | Identify! or Studies on a Political Subject, The New School, New York Matthew Buckingham, Akademie der Künste, Berlin |
| 2003 | Matthew Buckingham, Akademie der Künste, Berlin Record, Gallery210two, Los Angeles |
| 2000 | Three Films by Matthew Buckingham, Arnolfini, Bristol, UK Crossing Boundaries, National Cinematheque, Danish Film Institute, Copenhagen Art Film, Stadtkino, Kunsthalle Basel, Switzerland Shoot: Moving Pictures by Artists, Malmö Konsthall, Malmö, Sweden |
| 1999 | Five 29 Ninety9, one-day symposium, St. Ann’s Church, Brooklyn, NY Silver Series, Saint Mark’s Church Danspace Project, New York Meters 1, Salon 300, Brooklyn, NY and Tian Miao Lin, Beijing, China |
| 1998 | Reading Places, Pacific Film Archive / Berkeley Art Museum, Berkeley, CA The Glass of Knowledge, The Anthology Film Archive, New York |
| 1997 | New Directors/New Films, The Museum of Modern Art, New York Ann Arbor Film Festival, Ann Arbor, MI Athens International Film Festival, Athens, OH |
| 1996 | Film Club, Four Walls, Brooklyn, NY |
| 1994 | Works-in-Progress, The Museum of Modern Art, New York Sydney Public Television, Sydney, Australia |
| 1993 | San Francisco Cinematheque, San Francisco, CA Other Cinema, San Francisco, CA Black Maria Film Festival, NJ Ann Arbor Film Festival, Ann Arbor, MI Reel Time, Performance Space 122, New York |
| 1990 | Ann Arbor Film Festival, Ann Arbor, MI St. Mark’s Church Danspace Project, New York |
Fellowships, Grants, Residencies
| 2009 | The Louis Comfort Tiffany Foundation Award |
| 2007 | ArtPace, San Antonio, TX IASPIS, Stockholm |
| 2006 | Artist in Residence, The Arts Institute, University of Wisconsin-Madison |
| 2004 | The Rolex Mentor and Protégé Arts Initiative Award, selected by John Baldessari |
| 2003 | DAAD Artists Program, Berlin Watershed: The Hudson Valley Project, Minetta Brook Foundation, NY |
| 2001 | New York Foundation for the Arts, Artists Fellowship |
| 1997 | Danish Film Institute Film Workshop Production Grant |
| 1996 | New York State Council on the Arts Film Production Grant New York State Council on the Arts Film Production Grant |
| 1992 | Art Matters Artist’s Fellowship, New York |
| 1990 | Apparatus Production Grant, New York |
Awards
| 1997 | Ann Arbor Film Festival, Best Narrative Film, Amos Fortune Road |
| 1993 | Black Maria Film Festival, Director’s Citation, The Truth About Abraham Lincoln Onion City Film Festival, Best-of-Festival Prize,The Truth About Abraham Lincoln Ann Arbor Film Festival, Best-of-Festival Prize, Dizzy |
| 1990 | Ann Arbor Film Festival, Award of Excellence, At Once |
Public Collections
FRAC Bourgogne, Dijon, France
Hamburger Bahnhof, Museum für Gegenwart, Berlin
Hirshhorn Museum and Sculpture Garden, Washington, DC
K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
Kadist Foundation, Paris
Kunstmuseum, St. Gallen, Switzerland
MARTa Herford, Herford Germany
The Metropolitan Museum of Art, New York
Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
The Museum of Modern Art, New York
San Francisco Museum of Modern Art, San Francisco
St. Louis Art Museum, St. Louis, MI
Statens Museum for Kunst, Copenhagen, Denmark
Tate Modern, London
Walker Art Center, Minneapolis, MN
Books and Monographs
| 2008 | Buckingham, Matthew. Improbable Horse. Des Moines: Des Moines Art Center, 2008. Artist’s book. |
| 2007 | Buckingham, Matthew. Everything I Need. London: Camden Arts Centre, 2007. Artist’s book. Essay by Darcy Beurkle. Buckingham, Matthew. False Future. London: Camden Arts Centre, 2007. Artist’s book. Essay by Tom Gunning. Buckingham, Matthew. The Spirit and the Letter. London: Camden Arts Centre, 2007. Artist’s book. Essay by Cora Kaplan. Play the Story. London: Camden Arts Centre, 2007. Essay by Sara Krajewski. Interview with Mark Godfrey. |
| 2006 | Kreuger, Anders, ed. Matthew Buckingham: Messages from the Unseen. Lund: Lund Konsthall; Rotterdam: Veenman Publishers, 2006. Essays, interviews, and texts by Jennifer Allen, Matthew Buckingham, Joachim Koester, Jamet Kraynak, Anders Kruger, and Edgar Allan Poe. |
| 2005 | Buckingham, Matthew. One Side of Broadway. Münster: Westfälischer Kunstverein; St. Gallen: Kunstverein St. Gallen; and Frankfurt: Revolver, 2005. Artist’s book. Narratives. Münster: Westfälischer Kunstverein; St. Gallen: Kunstverein St. Gallen; and Frankfurt: Revolver, 2005. Essays by Carina Plath and Mark Godfrey. |
| 2003 | Buckingham, Matthew. A Man of the Crowd. Vienna: Museum Moderner Kunst, 2003. Artist’s book. Essay by Kimberly Lamm. “The Man of the Crowd” by Edgar Allan Poe. Notes by Matthew Buckingham. |
| 2002 | The Six Grandfathers from the Cretaceous Period to the Present. New York: Matthew Buckingham, 2002. Artist’s book. |
| 2001 | Buckingham, Matthew. Subcutaneous. New York: Murray Guy; Shark Books, 2001. Artist’s book. Buckingham, Matthew and Joachim Koester. Sandra of the Tuliphouse Or How To Live in a Free State. Edited by Sven Bjerkhof. Copenhagen: Statens Museum for Kunst, 2001. Introduction by Marianne Torp. |
Selected Artist’s Writings and Publications
| 2007 | “Film to be Projected Every Year.” In Kunst und Öffentlichkeit. Ed. Christoph Schencker and Michael Hiltbrunner, Hochschule für Gestaltung und Kunst Zürich, JRP/Ringier, pp. 71–79 “Muhheakantuck—Everything Has a Name.” October, no. 120 (Spring 2007), pp. 173–181 “1000 Words: The Spirit and the Letter.” Artforum (May 2007), pp. 328–329 |
| 2005 | “Muhheakantuck – Everything Has a Name.” In Experience Memory Re-enactment. Ed. Anke Bangma, Steve Rushton and Florian Wüst. Rotterdam: Willem de Kooning Academy Publications. Frankfurt: Revolver, Archiv für aktuelle Kunst, 2005, pp. 251–257 |
| 2003 | “A Man of the Crowd: annotated associations with Edgar Allan Poe’s tale The Man of the Crowd.” In Untitled (Experience of Place). Ed. Gregor Neuerer, Koenig Books Ltd., London/Verlag der Buchhandlung Walter Koenig, Cologne, 2003 “Ultramarine.” Cabinet Magazine, no. 10 (Spring 2003) “The Projected image in Contemporary Art.” Roundtable discussion with Matthew Buckingham, Chrissie Iles, Hal Foster, George Baker, Malcolm Turvey, Anthony McCall, October, no. 104 (March 2003) |
| 2002 | “The Six Grandfathers, Paha Sapa, In the Year 502,002 C.E.” Cabinet, no. 7 (Summer 2002), pp. 47–50 Buckingham, Matthew and Joachim Koester. “Points of Suspension.” October, no. 100 (Spring 2003), pp. 55–63 |
| 2001 | Buckingham, Matthew and Joachim Koester. “How to Live in a Free State.” Sandra of the Tuliphouse or How to Live in a Free State. Copenhagen: x-rummet, Statens Museum for Kunst, 2001 “Interview With a Cultural Follower and Public Space-Inhabitant.” Shark 3 (Winter 2001), pp. 91–107 |
| 1998 | Buckingham, Matthew and Joachim Koester. “Sandra of the Tuliphouse or How to Live in a Free State: A Project for Atlántica.” Atlántica Internacional Revista de las Artes, no. 19 (Winter 1998), pp. 90–97 “Situation Leading to a Story.” Ojeblikket magazine, no. 35 (Spring 1998) |
Selected Bibliography
| 2015 | Dunne, Aidan. “Lost civilizations and the uncivilised future.” The Irish Times, 23 June 2015 Magagnoli, Paolo. Documents of Utopia: The Politics of Experimental Documentary. New York: Columbia University Press, 2015 Powell, Amy. “Time / Image.” In Time / Image. Houston: Blaffer Art Museum, University of Houston, 2015, esp. pp. 35–36 Tang, Jeannine. “Time Travel: Notes on Contemporary Art’s Historical Present.” In Time / Image. Houston: Blaffer Art Museum, University of Houston, 2015, esp. p. 74 |
| 2014 | Boudreau, Olivia and France Chonière. Home Sweet Home. À propos de l’inquiétude. Montreal: Dazibao and Édipresse, 2014, pp. 99–101, 147 Delgado, Jérôme. “Les nouveaux débuts: Home Sweet Home – À propos de l’inquiétude; Fountainward.” Le Devoir [Montreal], 12 April 2014 Farago, Jason. “The Silent Way.” Artforum.com, 26 January 2014 Gat, Orit. “The Silent Way: Robert Breer, Matthew Buckingham, Jenny Perlin. Modern Painters (April 2014), p. 94 Smith, Roberta. “The Silent Way.” New York Times, 20 February 2014 |
| 2011 | Blocker, Jane. “The Empty Stage: Matthew Buckingham’s pursuit of Amos Fortune.” Performance Research: A Journal of the Performing Arts 16, no. 2 (2011), pp. 175–181 Boucher, Brian. “Matthew Buckingham – Murray Guy.” Art in America (February 2011) Demeuse, Sarah. “Matthew Buckingham.” …might be good, no. 178, 11 November 2011 “Matthew Buckingham: The Spirit and the Letter.” The New Yorker, 26 September 2011 Pohlen, Annelie. “Matthew Buckingham.” Kunstforum International, no. 206 (January 2011), pp. 310–311 Vali, Murtaza. “Matthew Buckingham – Likeness.” Art Review (February 2011) |
| 2010 | Bell, Kirsty. “Part of the Process: Matthew Buckingham.” Mousse, no. 25 (September/October 2010), pp. 62–67 Gopnik, Adam. “Gopnik’s Daily Pic: Matthew Buckingham at Murray Guy.” The Washington Post, 22 November 2010 “Matthew Buckingham.” The New Yorker, 3 December 2010 Mircan, Mihnea, ed. History of Art, The. Appendix 1: The Impresent. London: David Roberts Art Foundation, 2010, n.p. (Image of Absalon slide reproduced) Rosenberg, Karen. “Photographs that Tell Unsettling Tales.” The New York Times, 8 July 2010 Smith, Roberta. “Varieties of Abstraction.” The New York Times, 6 August 2010 |
| 2009 | Clark, Robin. “Matthew Buckingham.” In Automatic Cities – The Architectural Imagery in Contemporary Art. San Diego: Museum of Contemporary Art, San Diego, 2009, pp. 64–69 Comer, Stuart. Film and Video Art. London: Tate Publishing, 2009, p. 96 McElheny, Josiah. “Matthew Buckingham.” Bomb, no. 107 (Spring 2009), pp. 90–96 |
| 2008 | Decter, Joshua. “Matthew Buckingham.” Artforum (November 2008) Ellegood, Anne. “Matthew Buckingham.” In The Cinema Effect: Illusion, Reality, and the Moving Image. Ed. Kerry Brougher et. al. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; London: D Giles Ltd, 2008, pp. 130–134 Falconer, Morgan. “Matthew Buckingham: Please Explain it to me, I’ve just become a Radical.” Art Review, no. 26 (October 2008) Hanley, William. “Buckingham Film Makes Maiden Voyage.” Artinfo, 31 March 2008 Johnson, Ken. “Matthew Buckingham – Will Someone Please Explain It To Me, I’ve Just Become a Radical.” The New York Times, 25 July 2008 Kitamura, Katie. “Matthew Buckingham, Index, Stockholm, Sweden.” Frieze.com Mack, Joshua. “Matthew Buckingham.” Time Out New York, 3–9 April 2008 Ostrow, Saul. “Matthew Buckingham: Murray Guy.” Art in America (December 2008), pp. 160–161. “Matthew Buckingham.” The New Yorker, 31 March 2008 Rosenberg, Karen. “Matthew Buckingham.” The New York Times, 23 March 2008 Sholis, Brian. “Matthew Buckingham.” Artforum (May 2008), p. 381 Watson, Sam. “Matthew Buckingham – Des Moines, IA+London+Seattle.” Art Papers (May/June 2008), p. 59 West, Kim. “Mathew Buckingham, Index.” Artforum.com |
| 2007 | Collings, Matthew. “Hot Chat.” Modern Painters (September 2007), pp. 38–41 Coomer, Martin. “Timely Viewing.” The Big Issue, 14 May 2007 Cooper, Emmanuel. “Text and Image meet ambiguity and complexity.” Tribune, 18 May 2007 Darwent, Charles. “Notes from a ceiling in north London.” The Independent on Sunday, 6 May 2007 Falconer, Morgan. “Turning her story into living history.”The Times, 21 April 2007 Glauner, Max. “Fröhliche Wissenschaft mit Haken.” Zitty, no. 13 (2007) Godfrey, Mark. “The Artist as Historian.” October, no. 120 (Spring 2007), pp. 140–172 Godfrey, Mark. “Time and Motion.” Sight & Sound (May 2007), p. 8 Gronlund, Melissa. “Story Telling.” Frieze, no. 106 (April 2007), pp. 120–125 Groskop, Viv. “Women All hail the feminassance.”The Guardian, 11 May 2007 Herbert, Martin. “Matthew Buckingham.” Time Out, 30 May–5 June 2007 Hiltbrunner, Michael. “Die Frauenstimmrecht – ein Nachhaken.” In Kunst und Öffentlichkeit. Ed. Christoph Schencker and Michael Hiltbrunner. Zurich: Hochschule für Gestaltung und Kunst Zürich; Zurich: JRP/Ringier, 2007, p. 81 Hiltbrunner, Michael. “Mechanismen des Vergessen – Interview with Matthew Buckingham.” In Kunst und Öffentlichkeit. Ed. Christoph Schencker and Michael Hiltbrunner. Zurich: Hochschule für Gestaltung und Kunst Zürich; Zurich: JRP/Ringier, 2007, pp. 82–84 Hinrichsen, Jens. “Der Überflieger.” Der Tagesspiegel, 19 June 2007 Macdonald, Fiona. “Matthew Buckingham.” Metro (London), 3 May 2007 Morgan, Jessica. “1000 words – Matthew Buckingham.” Artforum (May 2007), pp. 328–329 Mottram, Jack. “Turning the Familiar on its Head.” The Herald (Dundee), 23 November 2007 Muir, Kate. “The Dark Ages.” Times Magazine, 9 June 2007 Oldham, Alison. “Revealing needs of a lesbian doctor.” Ham & High, 21 June 2007 Resch, Andreas. “Alles hat einen Sinn irgendwie.”Tageszeitung Berlin, 24 July 2007 “Review: Matthew Buckingham, Play the Story.” myvillage.com, 10 May 2007 Slyce, John. “Matthew Buckingham – Camden Arts Centre.” Art Monthly (June 2007) Smyth, Cherry. “Rewind: Matthew Buckingham.” ArtReview (May 2007), pp. 108–109 Ulrichs, David. “Everything has a Name.” <H>ART, no. 25, 6 September 2007 |
| 2006 | Baxter, Lew. “Melville’s metaphor for a new Liverpool.” Interview. Liverpool Daily Post, 29 September 2006 Chapple, Mike. “An old salt may be turned into a star.” Liverpool Daily Post, 7 June 2006 Fox, Killian. “What a turn-up – Liverpool Biennial.” The Observer, 24 September 2006 Hubbard, Sue. “International Festival of Contemporary Art.” The Independent, 29 September 2006 Simon, Jane. “Between the Lakes: Artists Respond to Madison.” In Between the Lakes: Artists Respond to Madison. Ed. Stephen Fleischman and Jane Simon. Madison: Madison Museum of Contemporary Art, 2006, pp. 24–25. Sutton, Gloria. “Matthew Buckingham – Kunstmuseum St. Gallen.” artUS, no.13 (May–June 2006), p. 60 Volkart, Yvonne. “Matthew Buckingham – Time Lines.” Springerin (February 2006) |
| 2005 | Bellini, Andrea. “New York Tales: Reflections in a Glass Curtain.” Flash Art, no. 243 (July–September 2005), pp. 114–116 Clark, Robin. “Matthew Buckingham.” Interview with Matthew Buckingham. Currents 94 Matthew Buckingham. Exhibition Brochure. St. Louis: Saint Louis Art Museum, 2005 Comer, Stuart. “London.” Artforum (December 2005) Cotter, Holland. “The Book as Object and Performance.” The New York Times, 13 January 2005 Godfrey, Mark. “Against Finitude.” In Introduction to a Scientific Aesthetic. Madrid: Fundación Telefónica, 2005, pp. 53–75 Martinez, Chus. “Introduction to a Scientific Aesthetics.” In Introduction to a Scientific Aesthetic. Madrid: Fundación Telefónica, 2005, pp. 13–23 Scott, Andrea. “In between days.” Time Out New York, no. 502. 12–18 May 2005, pp. 73–74 Smith, Roberta. “Matthew Buckingham & Joachim Koester, ‘Sandra of the Tuliphouse or How to Live in a Free State.’” The New York Times, 10 June 2005, p. E44 (illustrated) Wilson, Michael. “Matthew Buckingham and Joachim Koester.” Artforum (September 2005), pp. 306–307 |
| 2004 | Allen, Jennifer. “Clues, Shadows and Faces – Interview with Matthew Buckingham.” Metropolis M, no. 5 (October/November 2004), pp. 95–106 Dean, Tacita. “Historical Fiction: The Art of Matthew Buckingham.” Artforum (March 2004), pp. 146–151 and cover. Franke, Anselm. “Matthew Buckingham.” Parkett, no. 72 (2004), pp. 6–16 Henry, Max. “Matthew Buckingham at Murray Guy.” Art in America (March 2004), pp. 130–131 Huck, Brigitte. “Matthew Buckingham – Museum Moderner Kunst Stiftung Ludwig.” Artforum (January 2004), p. 162 The New Yorker, 13 December 2004, p. 20 Weaver, Suzanne. “An Interview with artist Matthew Buckingham.” A Man of the Crowd. Exhibition brochure. Dallas: Dallas Museum of Art, 2004 |
| 2003 | Auricchio, Laura. “Homeland.” Time Out New York, no. 403, 19–26 June 2003, p. 61 Boettger, Suzanne. “Cinderella on the Hudson.” Art in America (June 2003), pp. 39–45 Cotter, Holland. “Art shows in the Great Indoors.” The New York Times, 25 July 2003 Cotter, Holland. “Matthew Buckingham.” The New York Times, 12 December 2003, p. E45 Harris, Michael. “Physiognomists take spotlight in Buckingham show.” The Vancouver Sun, 10 March 2003 Jaugelis, Kristina. “Matthew Buckingham – Charles H. Scott Gallery.” School for the Contemporary Arts, Simon Fraser University, Vancouver, online magazine Kastner, Jeffrey. ”Watershed – various sites.” Artforum (October 2003), p. 175 Lamm, Kimberly. “Men in the Crowd.” In A Man of the Crowd – Matthew Buckingham. Vienna: Museum Moderner Kunst Stiftung Ludwig, 2003, pp. 62–70 Leighton, Tanya. “Coming to Homeland.” In Homeland. Exhibition brochure. New York: Whitney ISP, 2003, pp. 15–21. “Matthew Buckingham.” The New Yorker, 24 November 2003, p. 22 Metzger, Rainer. “Soho am Stephansplatz – MUMOK: Matthew Buckingham – A Man of the Crowd.” artmagazine, Vienna, 22 September 2003 Princenthal, Nancy. “A 10-Part Hello Along the Hudson.” The New York Times, 11 May 2003, p. 20 Rosenberg, Karen. “On View-The Tell-Tale Art.” New York, 8 December 2003, p. 99 Schwendener, Martha. “Matthew Buckingham ‘A Man of the Crowd.’” Time Out New York, no. 426, 27 November–4 December 2003, p. 82 Sholis, Brian. “New York Critic’s Picks: Matthew Buckingham.” Artforum.com, 25 November 2003 |
| 2002 | “Definition – P.S.1 Contemporary Art Center.” The New Yorker, 12 August 2002, p. 15 Kraynak, Janet. “Matthew Buckingham.” In Watershed–The Hudson Valley Art Project. New York: Minetta Brook, 2002, pp. 83–89 Sonkin, Rebecca. “Matthew Buckingham.” Tema Celeste (March/April 2002), p. 84 Sundell, Margaret. “Wet Dream.” Time Out New York, 26 September–3 October 2002, p. 60 |
| 2001 | Burton, Johanna. “Matthew Buckingham – Subcutaneous.” Time Out New York, 6–13 December 2001, p. 62 Kristensen, Pernille Anker. “Alle veje fører til Christiania.” Det Sker/Kultur, 16 March 2001 Movin, Lars. “Stedernes gådefulde fortælling.” Information, 15 March 2001 Ryan, Orla. “In Between Lost and Found: The Films of Matthew Buckingham.” Afterimage (March/April 2001), pp. 16– 17 Torp, Marianne. “You assume certain histories exist…” In Sandra of the Tuliphouse or How to Live in a Free State, Copenhagen: x-rummet, Statens Museum for Kunst, 2001 Williams, Gregory. “New York Critics’ Picks: Matthew Buckingham.” Artforum.com, 7 December 2001 |
| 2000 | Daniels, Yolande. Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000 Dunn, Melissa. “Exhibition Picks.” The Guardian (London), 24 June 2000 Jönsson, Dan. “Konstfilm i Malmö.” Dagens Nyheter (Malmö), 16 February 2000 “Matthew Buckingham’s ‘Situation Leading to a Story.’” In Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000 Shaw, Lytle. “How to Make Good Experimental Ethnographic Films: Matthew Buckingham.” In Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000 Siegel, Katy. “Greater New York.” Artforum (May 2000), p. 174 Stanley, Sarah. “Shirin Neshat: Matthew Buckingham.” In Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000 |
| 1999 | Close-Ups – Contemporary Art and Carl Th. Dreyer. Copenhagen: Nikolaj Contemporary Art Center, 1999. Texts by Lene Crone Jensen and Lars Movin Jowitt, Deborah. “Depth of Memory.” The Village Voice, 13 April 1999 Williams, Gregory. “Matthew Buckingham – Murray Guy, New York.” Frieze, no. 46 (May 1999), pp. 98–99 |
| 1998 | “Home Movies: Situation leading to a Story.” SuperUmbau, no. 4 (Autumn 1998) Larson, Lars Bang. Something is Rotten in the State of Denmark. Kassel: Museum Fridericianum, 1998 Nuit Blanche. Paris: ARC Musée d’art moderne de la Ville de Paris, 1998 Roberts, Catsou. “Between Documentation and Drama.” Artpress, no. 232 (February 1998) Taubin, Amy. “Love and Death, 1997’s Top Ten Films.” The Village Voice, 6 January 1998 |
| 1997 | Anderson, John. “New Films Series Takes Manhattan.” Newsday, 21 March 1997 Maslin, Janet. “Quiet Desperation, Then Decisions, Decisions.” The New York Times, 29 March 1997 Taubin, Amy. “Worlds Apart.” The Village Voice, 25 March 1997 |
| 1996 | Gilliam, Leah. “Eraser Vols. 9&10.” In New Histories. Ed. Lia Gangitano and Steven Nelson. Boston: Institute of Contemporary Art, 1996 |