Natures at the Hand is composed of three short videos in which Esquivias takes the hand as a metonymy for an encounter with the natural world—a bizarre “grasping” of nature. In the first segment, fingers light matches, one after the other, as the bursts of flame reveal a series of matchboxes with stylized depictions of animals. The second is a comic attempt to read photographs of ornate topiary, drawn from images of European palaces, onto sculpted urban plants in Guadalajara, Mexico. The third shows the artist throwing a basketball against a glass window at the slowly setting sun, rhythmically, perhaps even dialectically, negating the fading light.