ANN LISLEGAARD
Born 1962 in Tønsberg, Norway
Lives and works in Copenhagen and New York
Education
| 1988-93 | The Royal Academy of Fine Arts, Copenhagen |
Solo Exhibitions
| 2016 | Pollen Images, Viborg Kunsthal, Viborg, Denmark |
| 2015 | Shadow Ya Ya, Kyoto Art Center, Kyoto, Japan Paraspace, Tel Aviv Museum of Art, Israel |
| 2014 | Oracles, Owls… Some Animals Never Sleep, Murray Guy, New York |
| 2012 | Speaking in Tongues, Galerie Paul Andriesse, Amsterdam |
| 2011 | Time Machine, Murray Guy, New York |
| 2010 | Haunted Tapping of the Fox Sisters, Marabouparken, Stockholm |
| 2009 | Ann Lislegaard: 2062, The Henry Art Gallery, Seattle, WA, traveling to the Museum of Contemporary Art, Detroit, MI (cat.) Raven Row, London |
| 2008 | Murray Guy, New York Science Fiction, Galerie Paul Andriesse, Amsterdam (cat.) |
| 2007 | Science Fiction and Other Worlds, Astrup Fearnley Museum of Modern Art, Oslo (cat.) The Crystal World, x-rummet at Statens Museum For Kunst, Copenhagen Art Unlimited, Galerie Paul Andriesse, Art Basel, Switzerland |
| 2006 | Nca/nichido contemporary art, Tokyo Galerie Paul Andriesse, Amsterdam Esbjerg Kunstmuseum, Esbjerg, Denmark |
| 2005 | Bellona (after Samuel R Delany), Murray Guy, New York Danish Pavillion, 51. Biennale di Venezia, (with Peter Land, Joachim Koester, Gitte Villesen, Eva Koch) Venice, Italy(cat.) Kunstpassagen, Astrup Fearnly Museet, Oslo S, Oslo |
| 2004 | Sonic Construction, Aldrich Contemporary Art Museum, Ridgefield, CT |
| 2003 | Corner Piece, Murray Guy, New York Eyes Wide Open, Galleria Raucci/Santamaria, Naples, Italy Art Unlimited, Galerie Paul Andriesse, Art Basel, Switzerland |
| 2002 | Esbjerg Kunstmuseum, Esbjerg, Denmark Galerie Paul Andriesse, Amsterdam (cat.) Eyes Wide Open, Det Nationale Fotomuseum, Diamanten, Copenhagen (cat.) The Space Between Us, Dundee Contemporary Arts, Dundee, Scotland Empty, the room seems large to me, Arthouse, Dublin, Ireland |
| 2001 | Slowly Spinning, Kunstnernes Hus, Oslo, catalogue |
| 2000 | Corner Piece-the space between us, Galleria Raucci/Santamaria, Naples, Italy Lige med et blev alt anderledes, The Children’s Reading Room, Louisiana Museum of Modern Art, Humlebaek, Denmark I-You-Later-There, Galleri Tommy Lund, Copenhagen Huis A/D Werf, Utrecht, The Netherlands Kunstpanorama, Luzern, Switzerland |
| 1999 | Double Room, Moderna Museet Project, Stockholm (cat.) Transparent Walls; Galerie Paul Andriesse, Amsterdam |
| 1998 | Bicycle Thieves, Crown Gallery, Chicago |
| 1997 | Blind Date, (with Olaf Nicolai) Luthringer strasse, Munich, Germany (cat.) Nothing But Space, Galleri Tommy Lund, Odense, Denmark |
| 1995 | Schaper Sundberg Galleri, Stockholm, Sweden Galleri Tommy Lund, Odense, Denmark LXX, Aarhus, Denmark |
| 1994 | Lageret, Kunstforeningen Gamle Strand, Copenhagen |
| 1992 | Galleri Basilisk, Copenhagen |
Selected Group Exhibitions
| 2016 | What does art do? 11th Gwangju Biennale, Gwangju, South Korea S.O.S Save Our Souls. Art for a Time of Urgencies, Ewha Womans University, Seoul, South KoreaGegenstand, Entreentre, Halle, Germany |
| 2015 | In An Absolut World True Taste Comes Naturally, Camberwell Space, London, UK Resumé, andriesse-eyck, Amsterdam, The Netherlands The Secret Life, Murray Guy, New York PARASOPHIA, Kyoto International Festival of Contemporary Culture, Kyoto, Japan Voyage to the Virtual: Nordic Digital Art, Scandinavia House, New York I hear your voice reflected in a glass and it sounds like it is inside of me , carlier | gebauer, Berlin In An Absolut World True Taste Comes Naturally, Camberwell Space, London Beam me up!, Kristianstads Konsthall, Kristianstad, Sweden 15 favoritter fra samlingen, KØS – Museum of Art in Public Spaces, Køge, Denmark♀vartet, Esbjerg Kunstmuseum, Esbjerg, Denmark Kvinder, Horsens Kunstmuseum, Horsens, Denmark Self-Storage, Another Space, Copenhagen, Denmark |
| 2014 | Luminous Spaces, Esbjerg Kunstmuseum, Esbjerg, Denmark 19th Biennale of Sydney: You Imagine What You Desire, Sydney, Australia Re:visited, Latvian Center of Contemporary art, Riga2014–European Culture Capital, Riga, Latvia L’Avenir (Looking Forward), La Biennale de Montréal |
| 2013 | 12th Biennale de Lyon: Meanwhile… Suddenly and Then, Lyon, France Approximately Infinite Universe, Museum of Contemporary Art San Diego, San Diego, CA What is Contempoary Art? #2, Museet for Samtidskunst, Roskilde, Denmark |
| 2011 | Assim é, se lhe parece, Paço das Artes, São Paolo, Brazil The 6th Momentum Biennial: Imagine Being Here Now, Moss Norway The Smithson Effect, Utah Museum of Fine Arts, University of Utah, Salt Lake City, UT The Passenger, Galerie Paul Andriesse, Amsterdam What is Contempoary Art?, Museet for Samtidskunst, Roskilde, Denmark |
| 2010 | P(art)ners: Gifts from the Heather and Tony Podesta Collection, National Museum for Women in the Arts, Washington, DC Polis Polis Potatismos, Malmö Konsthall, Malmö, Sweden; Dragør Strandhotel, Kopenhagen Contemporary, Copenhagen Handliger/Gestures, Museet for Samtidskunst, Roskilde, Denmark Power Games//Hatalmi Játszmák, Ludwig Muzeum, Budapest, Hungary |
| 2009 | Automatic Cities – The Architectural Imagery in Contemporary Art, Museum of Contemporary Art, San Diego, CA Until the End of the World, AMP Gallery, Athens |
| 2008 | The Light Project, The Pulitzer Foundation for the Arts, St. Louis Reality Check, Statens Museum for Kunst, Copenhagen(cat.) In the Space of Elsewhere, Stanley Picker Gallery, Kingston University, London The Future as Disruption, The Kitchen, New York Reenactments, DHC/ART, Montreal, Canada Modern Ruin, Queensland University Art Gallery, Brisbane, Australia Danskjävlar – a Swedish Declaration of Love, Kunsthal Charlottenborg, Copenhagen JG Ballard. An Autopsy of the New Millennium, Centre de Cultura Contemporània de Barcelona, Spain The Map is not the Territory, Esbjerg Kunstmuseum, Esbjerg, Denmark The Cinematic, or Moving Images Expanded: Artists’ Film and Video Showcase 2008, Insa Art Space Seoul U-Turn Quadrennial for Contemporary Art, Carlsberg Garden, Copenhagen |
| 2007 | Off-Screen, Netherlands Media Art Institute Montevideo/Time Based Arts, Amsterdam Animated Painting, San Diego Museum of Art, San Diego, CA, travelling to: 2009 Faulconer Gallery, Grinnell College, Grinnell, IA; El Cubo at Centro Cultural Tijuana, Mexico 2009 (cat.) Mind the Gap, Fabrikken, Copenhagen V-effect, Kunsthallen Nikolaj, Copenhagen Space, gaze, desire, Den Frie Udstillingsbygning, Copenhagen |
| 2006 | Como Viver Junto (How to Live Together), 27th Bienal de São Paulo, São Paulo, Brazil Contos Dixitais /Digital Tales, CGAC, Santiago de Compostella, Spain cat. Archaeology Of Reality, Andrejsala, Riga, Vilnius (cat.) The Real and the Fantastic, Den Frie Udstillingsbygning, Copenhagen Other Voices, Other Rooms, Contemporary Art from the Frac Collections, The Israel Museum, Jerusalem, Israel A Brighter Day, James Cohan Gallery, New York Places where Immaterials can be Obtained, Galerie Paul Andriesse, Amsterdam Espacio Interior/Interior Space, Alcalá 31, Comunidad de Madrid, Madrid Mission: Reality: Interviews – Venedig i Roskilde, Samtids Museet Roskilde, Denmark |
| 2005 | Ecstasy: In and About Altered States, The Museum of Contemporary Art, Los Angeles (cat.) More than this – Negotiating Realities, Gøteborg International Biennial for Contemporary Art, Gøteborg, Sweden (cat.) Water Event, Yoko Ono, Astrup Fearnly Museet, Oslo Forget-me-not, Maison du Danemark, Paris |
| 2004 | Instructions, Kunsthalle Wien, Vienna (cat.) Rum I Rum, Vendsyssel Kunstmuseum, Hjøring, Denmark 17 Reasons, Jack Hanley gallery, San Francisco, CA Sound Migration: An Exhibition of Sound Art and Music, Pacific Design Center, Los Angeles Kurzdavordanach, Die Photographische Sammlung/SK Stiftung Kultur Lädt, Cologne, Germany Son et Lumière, MIT List Visual Arts Center, Cambridge, MA Violence of Tone, W 139, Amsterdam Descriptions, Iaspis, Stockholm, Sweden Forskudte Hverdagsobjekter, Bob Smith Arrangement, Trapholt Museum, Kolding, Denmark The Ballroom Blitz, Gimm Eis Gallery, Copenhagen Video Screening, Centre d’Art Sta. Mònica, Barcelona, Spain Tusenfryd, Vestfossen Kunstlaboratorium, Drammen, Norway |
| 2003 | Fra objektiv til Objekt, Den Frie, Copenhagen 17 Reasons, temporary interventions, San Francisco, CA Warped Space, CCAC, Wattis Institute for Contemporary Art, San Francisco, CA Off, Murray Guy, New York Summer, Nils Staerck, Copenhagen Sharjah International Biennial 6, Sharjah, United Arab Emirates Telling Stories, Vedanta Gallery, Chicago Nostalgic Real, müllerdechiara, Berlin |
| 2002 | The metamorphoses of beauty, Dunkers Culture Centre, Helsingborg, Sweden Mirages-un pratique de l’espace projeté, Maison du danemark, Paris Nordic Images, Galeria Elba Benitez, Madrid Fiona Banner, An-My Le, Ann Lislegaard, Murray Guy, New York Frequencies(Hz), Shirn Kunsthalle, Frankfurt, Germany Thin Skin – The Fickle Nature of Bubbles, Spheres and Inflatable Structures, AXA Gallery, New York; Scottsdale Museum of Contemporary Art, Scottsdale, AZ; Gemeentemuseum, Helmond The Netherlands (2002); International Museum of Art and Science in McAllen, McAllen, TX; Chicago Cultural Center, Chicago; Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, KS(2003); Bedford Gallery-Regional Center for the Arts, Walnut Creek, CA: Boise Art Museum, Boise, ID (2004) Periphera, Murray Guy, New York JE T’AIME…MOI NON PLUS, Kunsthal Bergen, Norway; Museum Het Domein, Sittard, The Netherlands; Esap, Perpignan, France; Leisure Club Mogadishni, Copenhagen; Kunsthalle Wilhelmshaven, Germany |
| 2001 | Audible Imagery; Museum of Contemporary Photography, Chicago The 9th Biennial of Moving Images (BIM), Geneva HUMID, Curated by Dominic Molon, The Moore Building, Miami New Acqusitions, Malmø Konstmuseum, Malmø, Sweden In a Lonely Place, National Museum of Photography, Film & Television, Bradford, UK Silhouettes’n Shadows, Tilburg, The NetherlandsPalazzo Delle Papesse, Siena, Italy Quality Street, Galleri Tommy Lund, Copenhagen Get that balance, K3 Kampnagel, Hamburg, Germany Treff, Bergen Art Museum, Norway |
| 2000 | Waterfront, Kronborg Castle, Elsinore, Denmark Vision Machine, Musée des Beaux Arts de Nantes, Nantes, France The North, Kunsthalle Vienna Another Place, Tramway, Glascow, Scotland Audible Light, Museum of Modern Art, Oxford, England Prophecies, Si/NY, New York |
| 1999 | Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York Fotomuseet, Brandts Klædefabrik, Odense, Denmark Fra det skjulte, Det Kgl. Fotomuseum, Copenhagen Anebølle-Amar, Galleri Tommy Lund, Copenhagen |
| 1998 | Sint Lucas Galerij, Brussel, Belgium (cat.) Statens Museum for Kunst, Copenhagen Edstranska stiftelsens konstnarsstipendiater 1998, Rooseum, Malmø, Sweden (cat.) Nordic Nomads, White Column, New York (cat.) Do all oceans have walls, Bremen, Germany Something is Rotten in the State of Denmark, Museum Friedericianum, Kassel, Germany(cat.) Threshold, The Power Plant, Toronto, Canada (cat.) Nuite Blanche, Musee d’Art Moderne de la Ville de Paris (cat.) Momentum, Moss, Norway (cat.) HERENOW, Art Space, Sidney, Australia Come Closer, Liechtensteinische Staatliche Kunstsammlung, Vaduz, Liechtenstein (cat.) Twilight, Contemporary Art Center of Vilnius, Lithuania (cat.) Elevator, Stefhany Martz Gallery, New York (cat.) Dissin’the real, Lombard/Fried Gallery, New York Dissin’the real,Galleri Krinzinger, Vienna Contemporary Art from Denmark and Sweden, Württembergischer Kunstverein, Stuttgart, Germany (cat.) |
| 1997 | The 5th. International Istanbul Biennale, Istanbul (cat.) Nothing But Space , Media Art from Denmark, DASA, Dortmund, Germany Alikenes, Center for Contemporary Photography, Melbourne, Australia (cat.) The Louisiana Exhibition1997, Louisiana Museum of Modern Art, Denmark (cat.) Clean & Sane, Edsvik Konstmuseum, Sweden (cat.) Absence, Salon 75, New York |
| 1996 | NowHere, Louisiana Museum of Modern Art, Denmark (cat.) Disneyland after dark, Kunstamt Kreuzberg/ Bethanien, Berlin (cat.) In the Ruins of the 20th Century, PS1, New York (cat.) Tinsel Tower, Clocktower Gallery, New York Exiles, Overgaden Nedenvandet, Copenhagen (cat.) Brekt Bein, Contemporary Danish Art, Kunstnernes Hus, Oslo (cat.) UKS-Biennalen, Oslo |
| 1995 | Scoula Grande di san. Giovanni Evangelista, Biennale di Venezia, Venice, Italy Galleri Struds, Oslo Wild at Heart, Gallerie Jousse Seguin, Paris RAM, Kunsthallen Portalen, Køge, Copenhagen (cat.) I Confess, Kunsthallen Nikolaj Kirke, Copenhagen (cat.) Addicted, The Living Art Museum, Reykjavik, Iceland (cat.) Disneyland after dark, Upsala Konst Museum, Sweden Drawings, Campbells Ocasionally, Copenhagen |
| 1994 | Proms II, Kunsthallen Brandts Klædefabrik, Odense, Denmark Wish you were here, Bank, London Glassbox, Malmø Konstmuseum-KM2, Malmø, Sweden |
| 1993 | Black Box, Copenhagen Galleri Nicolai Wallner, Copenhagen |
| 1992 | Overgaden Nedenvandet, Copenhagen Albertslundsrådhus, (Bob Smith Projekt), Copenhagen Tranegården, (Bob Smith Projekt), Copenhagen |
| 1991 | Gadetegn, Biz Art Project, (Bob Smith Projekt), Copenhagen Something Insincere, Galleri Baghuset, Copenhagen Big Scale, (Bob Smith Projekt), Malmö, Sweden Charlottenborgs Efterårsudstilling, (Bob Smith Project), Copenhagen |
| 1990 | Benefit Show, Galleri Baghuset, Copenhagen |
| 1989 | Nordic Sculpture symposium, Kalunborg, Denmark |
| 1988 | Charlottenborgs Forårsudstilling, Charlottenborg, Copenhagen |
Residencies
| 2013 | Headlands Center of the Arts, San Francisco |
| 2005-06 | MIT Rubin Artist in Residence, Cambridge, MA |
| 2003-04 | IASPIS, Stockholm, Sweden |
| 1995-96 | P.S.1 International Studio program, New York |
Public Collections
Louisiana Museum of Modern Art, Humlebæk, Denmark
MONA, Tasmania, Australia
The Solomon R. Guggenheim Museum, New York
Museet for Samtidskunst/Museum of Contemporary Art, Roskilde, Denmark
Fundació Sorigué, Lleida, Spain
Astrup Fearnley Museum of Modern Art, Oslo, Norway
DASA, Dortmund, Germany
Fotomuseet Brandts, Odense, Denmark
Frac Languedoc-Roussillon, Montpellier, France
The Israel Museum, Jerusalem, Israel
Kobberstiksamlingen, Statens Museum for Kunst/National Gallery, Copenhagen, Denmark
Det Kongelige Biblioteks Fotografiske Samling, Copenhagen, Denmark
Malmö Konstmuseum, Malmö, Sweden
Mint Museum of Art, Charlotte, North Carolina
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
MOCAD – Museum of Contemporary Art San Diego, San Diego, California
National Museum of Women in the Arts, Washington, DC, US
Mint Museum of Art, Charlotte, North Carolina
Statens Kunstfond, Copenhagen, Denmark
Statens Museum for Kunst/National Gallery, Copenhagen, Denmark
Esbjerg Kunstmuseum, Esbjerg, Denmark
Books and Monographs
| 2012 | Ann Lislegaard: Spiral Book. 2012. Texts by Ann Lislegaard, Lars Bang Larsen, David Velasco, Donna J. Haraway, and Ursula K. Le Guin |
| 2009 | Ann Lislegaard: 2062. Seattle: Henry Art Gallery, University of Washington, 2009. Foreword by Elizabeth A. Brown. Essays by David Velasco and Claire Barliant. Contributions from Ann Lislegaard and Jacob King |
| 2008 | Ann Lislegaard: Science Fiction. Amsterdam: Galerie Paul Andriesse, 2008. Text by Lars Bang Larsen |
| 2007 | Ann Lislegaard: Science Fiction and Other Worlds. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2007. Introduction by Gunnar B. Kvaran. Essays by Erik Granly Jensen, Lars Bang Larsen, Bill Arning, Matthew Buckingham, Barbara Clausen, and Simon Sheikh Ann Lislegaard: The Crystal World. Copenhagen: X-rummet, Statens Museum for Kunst, 2007. Essay by Anders Kreuger |
| 2005 | Ann Lislegaard: Science Fiction and Other Worlds. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2007. Introduction by Gunnar B. Kvaran. Essays by Erik Granly Jensen, Lars Bang Larsen, Bill Arning, Matthew Buckingham, Barbara Clausen, and Simon Sheikh Ann Lislegaard: The Crystal World. Copenhagen: X-rummet, Statens Museum for Kunst, 2007. Essay by Anders Kreuger |
| 2004 | Ann Lislegaard: Passing By. Exhibition brochure. Ridgefield, CT: The Aldrich Contemporary art Museum, 2004. Text by Harry Philbrick |
| 2002 | Ann Lislegaard: Eyes Wide Open. Copenhagen: The National Museum of Photography, 2002. Essays by Karen Irvine and Simon Sheikh Ann Lislegaard. Amsterdam: Galerie Paul Andriesse, 2002 |
| 2001 | In Residence: Ann Lislegaard–Slowly Spinning. Exhibition brochure. Oslo: Kunstnernes Hus, 2001. Essay by Barbara Clausen |
| 1999 | Ann Lislegaard: Moderna Museet Projekt. Stockholm: Moderna Museet, 1999. Introduction by Maria Lind. Conversation with Matthew Buckingham and Ann Lislegaard |
| 1998 | Gaensheimer, Susanne, ed. Blind Date: Ann Lislegaard and Olaf Nicolai: Inner Monologues, Hidden Spaces. Munich: Künstlerwerkstatt Lothringer Strasse, 1998. Introduction by Susanne Gaensheimer and Maria Lind. Conversation between Susanne Gaensheimer, Maria Lind, Ann Lislegaard, and Olaf Nicolai |
Selected Bibliography
| 2015 | McLean-Ferris, Laura. “Ann Lislegaard.” Frieze, Issue 169, March 2015 |
| 2014 | “Ann Lislegaard.” In You Imagine What you Desire: 19th Biennale of Sydney. Sydney: Biennale of Sydney, 2014, pp. 194–195, 281, 294 Farago, Jason. “Ann Lislegaard.” Artforum, 15 November 2014 Johnson, Ken. “Ann Lislegaard Presents Three Intriguing Pieces.” The New York Times, 27 November 2014 Lislegard, Ann. “Time Machine (2011).” In Networks: Documents of Contemporary Art. Ed. by Lars Bang Larsen. London: Whitechapel Gallery; Cambridge, Mass.: MIT Press, 2014, p. 85 Ross, Toni. “19th Biennale of Sydney – Various Venues.” Artforum (June 2014), p. 389 |
| 2012 | Davis, Jacquelyn. “Beyond Good and Evil.” artforum.com, 24 September 2012 |
| 2011 | Davis, Jacquelyn. “The Polaris Series 12: Ann Lislegaard.” ArtSlant.com, 5 July 2011 Lookofsky, Sarah. “Ann Lislegaard.” artforum.com, 23 November 2011 Rosenberg, Karen. “Ann Lislegaard: Time Machine.” New York Times, 2 December 2011, p. C31 |
| 2009 | Barlaint, Claire. “An Unmiraculous Place Where Anything Can Happen.” In Ann Lislegaard: 2062. Seattle: Henry Art Gallery, University of Washington, 2009, pp. 13–17 Bedford, Christopher. “Ann Lislegaard: Henry Art Gallery.” Artforum (October 2009) Carlin, T.J. “Ann Lislegaard.” Art Review (January/February 2009), p. 109 Clark, Robin. “Ann Lislegaard.” Automatic Cities – The Architectural Imagery in Contemporary Art. San Diego: Museum of Contemporary Art San Diego, 2009, pp. 88–93 Coburn, Tyler. “Future Greats: Glen Fogel, Sam Lewitt, Justin Beal, and Ann Lislegaard.” ArtReview (March 2009), pp. 80–81 Corbetta, Caroline and John Peter Nilsson, eds. Interference: Nordic Countries. Siena: Palazzo delle Papesse Centro Arte Contemporanea; Florence: Maschietto Editore, 2009, pp. 114–119 Meyers, Todd. “Alexander Gutke + Ann Lislegaard.” Art Papers (November/December 2009), p. 55 Ueland, Hanne Beate. “Ann Lislegaard.” In Rotating Views #1: Astrup Fearnley Collection. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2009, pp. 58–61 Velasco, David. “Reading Science Fiction.” In Ann Lislegaard: 2062. Seattle: Henry Art Gallery, University of Washington, 2009, pp. 19–21 |
| 2008 | “Ann Lislegaard.” The New Yorker, 24 November 2008 Bang Larsen, Lars. “Ann Lislegaard.” In In the Space of Elsewhere. London: Stanley Picker Gallery, Kingston University, 2008, pp. 27–30 Bang Larsen, Lars. “In Visions: Extra-cultural surprise and the status of utopia in Ann Lislegaard’s work.” In Ann Lislegaard: Science Fiction. Amsterdam: Galerie Paul Andriesse, 2008, pp. 17–24 Chan, Jason Jude. “Ann Lislegaard: Crystal World & Left Hand of Darkness.” Flavorpill.com, 25 November 2008 Clark, Robin. “Ann Lislegaard in Converation with Robin Clark.” In The Light Project. St. Louis: The Pulitzer Foundation for the Arts, 2008, np Kerr, Merrily. “Ann Lislegaard.” Time Out New York, 27 November–3 December 2008 Koplos, Janet. “Ann Lislegaard at Galerie Paul Andriesse.” Art in America (October 2008) Smith, Roberta. “Chelsea: Art Chockablock with Encyclopediac Range.” The New York Times, 14 November 2008 Wilkinson, Judith. “Review: Re-enactments.” Circa, no. 124 (Summer 2008), pp. 80–81 |
| 2007 | Bang Larsen, Lars. “Everywhere the Process of Crystallization is Advancing: World reduction, extra-cultural surprise and the crystal as counter-image in Ann Lislegaard’s Crystal World.” In Ann Lislegaard: Science Fiction and Other Worlds. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2007, pp. 22–40 Jensen, Erik Granly. “Acousmatic Space: Ann Lislegaard’s Sound Projects.” In Ann Lislegaard: Science Fiction and Other Worlds. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2007, pp. 10–18 Kreuger, Anders. “Crystal World.” In Ann Lislegaard: Crystal World. Copenhagen: X-rummet, Statens Museum for Kunst, 2007, pp. 28–47 Pincus, Robert L. “‘Animated Painting’ an exploration of hybrid approaches.” The San Diego Union Tribune, 4 November 2007 Rod, Arve. “Ann Lislegaard – Science Fiction and Other Worlds, Astrup Fearnley Museum of Modern Art, Oslo 26.05.-26.08.2007.” Dagens Naeringsliv, 26 May 2007 Wendler, Sybil. “Ann Lislegaard.” In Animated Painting. San Diego: San Diego Museum of Art, 2007, pp. 92–93 |
| 2006 | Barliant, Claire. “Ann Lislegaard – Murray Guy.” Artforum (January 2006), p. 225 Bedford, Christopher. “Erratically Ecstatic.” X-tra 8, no. 3 (2006), pp. 28–33 Cohen, David. “Gallery Going.” The New York Sun, 8 June 2006 Espacio Interior / Inner Space. Madrid: Consejería de Cultura y Deportes, 2006, pp. 23–24, 58–61 Faxén, Karin. “Meriter styr urval till biennal.” Dagens Nyheter, 7 October 2006 Pérez Rubio, Agustín. Interview with Ann Lislegaard.” 27a. Bienal de São Paulo Guide. São Paulo: Fundação Bienal de São Paulo, pp. 30–31 Psibilskis, Liutauras. “Gothenburg Biennial.” Artforum (January 2006), p. 238 Sutton, Gloria. “Ann Lislegaard.” In Ecstacy: In and About Altered States. Los Angeles: Museum of Contemporary Art, 2005, pp. 96–97 |
| 2005 | Arning, Bill. “Hearing and seeing things.” In Ann Lislegaard: Bellona. The Danish Pavilion, 51st Venice Biennale. Copenhagen: The Danish Arts Agency and Pork Salad Press; New York: Lukas & Sternberg, 2005, pp. 6–21 Bonde, Lisbeth. “Mellem inferno og paradis.” Weekendavisen, 2. sektion, Kultur, 17 June 2005 Johnson, Ken. “Ann Lislegaard: Bellona (after Samuel R Delany).” The New York Times, 11 November 2005, p. E36 Olsson, Tommy. “Mindre af alt.” Gøteborg-biennalen 2005, Billedkunst, oktober 2005 Pryds Helle, Merete. “Hvilken sans skal man åbne? -Venedig Biennalen nr51.” Informationen, 16 June 2005 Velasco, David. “Ann Lislegaard – Murray Guy.” critic’s picks, artforum.com, 6 December 2005 Weirup, Torben. “Kvindelige kunstnere dominerer i Venedig.” Berlingske Tidende, 9 June 2005 |
| 2004 | de Oliveira, Nicolas, Nicola Oxley, and Michael Petry, eds. Installation Art in the New Millennium: The Empire of the Senses. London: Thames & Hudson, 2004 Kuo, Michelle. “’Son et Lumière’– MIT List Visual Arts Center.” Artforum (Summer 2004), p. 244 Philbrick, Harry. “look. look again.” In Ann Lislegaard: Passing By. Exhibition brochure. Ridgefield, CT: The Aldrich Contemporary art Museum, 2004, np |
| 2003 | Williams, Gregory. “Ann Lislegaard – Murray Guy.” Artforum (September 2003), p. 228 |
| 2002 | Bang Larsen, Lars. “Ann Lislegaard-Eyes Wide Open, The National Photomuseum-Diamanten, Copenhagen.” artforum.com, 25 March 2002 Daly, Catherine. “Ann Lislegaard, Arthouse, Dublin.” Sunday Times, 21 April 2002 Heiser, Jörg. “Frequencies [Hz].” Frieze, no. 67 (May 2002), pp. 86–87 Johnson, Ken. “Thin Skin—The Fickle Nature of Bubbles, Spheres and Inflatable Structures, AXA Gallery.” The New York Times, 29 March 2002 Irvine, Karen. “Eyes Wide Open.” In Ann Lislegaard: Eyes Wide Open. Copenhagen: The National Museum of Photography, 2002, np Molon, Dominic. “Climatic Conditions.” In Humid. Miami: Miami Design District, 2002, pp. 9–10, 31, 35 Petersen, Vibeke. “The Young Danish Art Scene at the Beginning of the 21st Century.” ARCO Noticias, no. 26 (Winter 2002) Pohl, Eva. “Ansigt til ansigt, Eyes Wide Open—Ann Lislegaard, Det Nationale Fotomuseum-Diamanten, København.” Berlingske Tidende, 27 February 2002 Richard, Frances. “Fiona Banner, An-My Lê, Ann Lislegaard.” artforum.com, 20 September 2002 Sheikh, Simon. “Identification of a Woman.” In Ann Lislegaard: Eyes Wide Open. Copenhagen: The National Museum of Photography, 2002, np |
| 2001 | Clausen, Barbara. “…her left hand moves lightly over the surface of the wall….” In In Residence: Ann Lislegaard–Slowly Spinning. Exhibition brochure. Oslo: Kunstnernes Hus, 2001 Cox, Christoph. “Seeing Sounds Hearing Images.” In Audible Imagery: Sound and Photography. Exhibition brochure. Chicago: The Museum of Contemporary Photography, Columbia College Chicago, 2001, np Ekeberg, Joans. “Et syn for kroppen, Kunstnernes Hus, Oslo.” DN-Magasinet, 8/9 September 2001 Gussin, Graham. Nothing. Warwick: Mead Gallery, Warwick University, 2002 Kern, Kristine. “Ann Lislegaard.” Dossier. Kunstbeeli, no. 5 (2001) Romeo, Filippo. “Ann Lislegaard.” Flash Art Italy (February/March 2001), p. 129 Romeo, Filippo. “Ann Lislegaard.” Artforum (April 2001), pp. 145–146 |
| 2000 | Albrethsen, Pernille. “Ann Lislegaard.” Flash Art (Summer 2000), p. 121 Bang Larsen, Lars. “Ann Lislegaard.” artext, no. 70 (August–October 2000), pp. 80–81 Bowron, Astrid. Audible Light: An Exhibition of Sound and Light. Exhibition CD Guide. Oxford: Museum of Modern Art, 2000 Buckingham, Matthew. “Other Rooms: The Work of Ann Lislegaard.” In Norden: Zeitgenössische Kunst aus Nordeuropa. Vienna: Kunsthalle Wien, 2000, pp. 147–151 “Eyes, ears and science.” Nature [London], 23 March 2000, p. 317 Kern, Kristine. “Tre Kvinder.” Politiken, no. 25 (February 2000) Martin, Timothy. “Lessons in listening.” the architects’ journal (February 2000) Ring Pedersen, Anne. “En kvindes daglige rutiner, Berlingske Tidende, 14 March 2000 Searle, Adrian. “Electric Light Orchestra.” The Guardian, 25 January 2000 Withers, Rachel. “In Another Room.” Nu: The Nordic Art Review 2, no. 2 (2000) |
| 1999 | Blom, Ina. “Ambient/Ambivalent: Researching Sound and Vision.” In Like Virginity, Once Lost: Five Views on Nordic Art Now. Ed. Daniel Birnbaum and John Peter Nilsson. Malmo: Propexus, 1999 Buckingham, Matthew. “‘Empty, the Room Seems Large to Me:’ A Conversation with Ann Lislegaard.” In Ann Lislegaard: Moderna Museet Projekt. Stockholm: Moderna Museet, 1999, pp. 23–32 Cameron, Dan. “Best of the 90s.” Artforum (December 1999) Hannula, Mija. “Tanskan nykytaide nousuhumalassa [Danish contemporary art in a state of rising euphoria.” Taide, no. 2 (1999), pp. 8–12 Koh, Germaine. “Threshold.” Parachute, no. 93 (January/February/March 1999), pp. 48–49 Spaid, Sue. “Seeing Eye.” The Village Voice, vol. XLIV, no. 16, April 1999 Vest Hansen, Malene. “Double Agents.” Art Journal (Summer 1999), pp. 94–102 Williams, Gregory. “Nordic Nomads.” Frieze (March/April 1999), pp. 92–93 |
| 1998 | Damianovic, Maia. “Ann Lislegaard: The Subject Could Have Been Roses.” In Out Of The North: Contemporary Art from Denmark and Sweden. Ostfildern: Cantz, 1998, pp. 77–79 Dompierre, Louise. Threshold. Toronto: The Power Plant, 1998 Gaensheimer, Susanne. “Ann Lislegaard; The Smell of Roses.” In Come Closer. Vaduz: Liechtensteinische Staatliche Kunstsammlung, 1998, pp. 100–104 Gaensheimer, Susanne. Something Rotten. Kassel: Museum Friedericianum, 1998 Gaensheimer, Susanne, Maria Lind, Ann Lislegaard, and Olaf Nicolai. A Conversation. In Blind Date: Ann Lislegaard and Olaf Nicolai: Inner Monologues, Hidden Spaces. Ed. Susanne Gaensheimer. Munich: Künstlerwerkstatt Lothringer Strasse, 1998, np Kroksnes, Andrea. “Nordic Nomads.” In Nordic Nomads. New York: White Columns, 1998, pp. 11–12, 14–15 Lislegaard, Ann. “Disruption of a Spatial Status Quo.” In HereNow. Sydney: Artspace, 1998. “Nothing But Space.” Flash Art (May/June 1998), p. 46 Nuit Blanche. Paris: Musee d’Art Moderne de la Ville de Paris, 1998 Psibilskis, Liutauras. “Twilight.” Siksi: The Nordic Art Review (Spring 1998), pp. 85–86 Roberts, Catsou. “Spatial Drive.” In Leer/Räume [Nothing But Space]. Dortmund: DASA Deutsche Arbeitsschutz Ausstellung, 1998 Thomson, Mungo. “Clairvoyance/Clairaudience (Seeing Things and Hearing Voices).” In Elevator. New York: Stefhany Martz Gallery, 1998, esp. pp. 10–11 |
| 1997 | Åsdam, Knut. “Feministisk strategi og blindpunkter.” Interview. UKS-Forum, no. 3/4 (1997) Lind, Maria. Clean and Sane. Stockholm: Edsvik, 1997 Sander, Katya. Alikeness. Melbourne: Center for Contemporary Photography, Melbourne, 1997 Sander, Katya. “Ann Lislegaard, Galleri Tommy Lund.” Øjeblikket, no. 4 (1997) Sander, Katya. “Ann Lislegaard.” In The 5th Istanbul Biennal: On Life, Beauty, Translations and Other Difficulties. Instanbul: Istanbul Kültür ve Sanat Vakfi, 1997, pp. 140–141 Sans, Jérôme. “The Louisiana Exhibition.” Siksi: The Nordic Art Review 12, no. 4 (Winter 1997), p. 83 Steikang, Jon. Ove Brekt Bein. Oslo: Kunstnernes Hus, 1997 |
| 1996 | Bang Larsen, Lars. “Cityscape, Copenhagen.” Flash Art (Summer 1996) Bang Larsen, Lars. “NowHere.” SIKSI, no. 2 (Summer 1996) Blom, Ina. “NowHere-Get Lost.” Frieze (September/October 1996) Hohmeyer, Jurgen. “Verliere dich.” Der Spiegel, no. 21, 20 May 1996 Lind, Maria. “Despite.” Index, no. 3/4 (1996) Lind, Maria. “On the works of Ann Lislegaard.” In the Ruins of the 20th Century. New York: P.S.1 Contemporary Art Center, 1996 Vine, Richard. “Reviews: NowHere.” Art in America (October 1996) Wallenstein, Sven-Olov. “Altered State of Mind.” Material, no. 28 (1996) |
| 1995 | Sheikh, Simon. “The Other Side: Ann Lislegaard.” Index, no. 3/4 (1995), pp. 24–29, 103–5 |
| 1994 | Gillick, Liam. “Wish you were here.” Art Monthly (October 1994) |
| 1992 | Lislegaard, Ann. “A Touch of Fear.” Øjeblikket, no. 8 (1992) |