ALEJANDRO CESARCO
Born 1975 in Montevideo, Uruguay
Lives and works in New York
Education
| 2000 | M.A. Studio Art, New York University / International Center of Photography, New York |
| 1998 | B.A. Economics, UCUDAL, Montevideo, Uruguay |
Solo Exhibitions
| 2016 | Untitled (with Booklet #16), ICSP International Curatorial and Studio Program, New York |
| 2015 | Loyalties and Betrayals, Murray Guy, New York Prescribe the Symptom, Midway, Minneapolis Parra Romero, Madrid Kiria Koula, San Francisco, CA |
| 2014 | Marguerite Duras’s India Song, Murray Guy, New York Galleria Raffaella Cortese, Milan |
| 2013 | Secondary Revision, Frac Ile-de-France/Le Plateau, Paris Neue Berliner Kunstverein, Berlin Triangulation, presented by Frac Bourgogne and Parc Saint-Léger, La Charité-sur-Loire, France La noche agranda su silencio, Parra Romero, Madrid Ignacio Liprandi, Buenos Aires, Argentina A Portrait, A Story, An Ending, Kunsthalle Zürich, Zurich |
| 2012 | MuMOK – Museum Moderner Kunst Stiftung Ludwig, Vienna Words Applied to Wounds, Murray Guy, New York The Early Years, Tanya Leighton, Berlin |
| 2011 | Common Ground, Uruguay Pavillion (with Magela Ferrero), 54th Venice Biennale, Venice Activating the Collection: One Without the Other, Museo Rufino Tamayo, Mexico City Art Statements, Art Basel 42, Basel, Switzerland Why Work?, Ignacio Liprandi, Buenos Aires A Long Time Ago Last Night, ar/ge Kunst, Bolzano, Italy |
| 2010 |
Present Memory, Tate Modern, London
ArtPace, San Antonio, TX
Otras Voces/Unseen Voices (with Jorge Mendez Blake), Fundación PROA, Buenos Aires
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| 2009 |
Two Films, Murray Guy, New York
Three Works, Tanya Leighton Gallery, Berlin
Now and Then, Charles H. Scott Gallery, Emily Carr University, Vancouver
Why Work?, Turtle Point Press, New York
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| 2008 |
Once Within a Room, Murray Guy, New York
Once Within a Room, New Langton Arts, San Francisco, CA
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| 2007 | Retrospective (in collaboration with John Baldessari), Murray Guy, New York |
| 2006 |
Some Recent Examples, Murray Guy, New York
Marguerite Duras’ India Song, Art in General, New York
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| 2005 | Basado en una historia real, Galería ARTkITECT, Universidad de Los Andes, Mérida, Venezuela |
| 2004 | Unrest, Miroslav Kraljevic Gallery, Zagreb, Croatia (cat.) TestSite 04.5 (with Gabriel Perez-Barreiro), Fluent~Collaborative, Austin, TX (artist book) |
| 2003 | Dedications, presentation of artist book, Colección Engelman-Ost, Montevideo, Uruguay |
| 2002 |
Envios, Centro Municipal de Exposiciones, Montevideo, Uruguay (pamphlet)
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| 2001 | Pictures of You (7:24), Art Resources Transfer, New York Cunetos Completos, Colección Engelman-Ost, Montevideo, Uruguay (cat.) |
| 1999 |
Alejandro Cesarco – Hidenori Kondo, Rosenberg Gallery, New York
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Selected Group Exhibitions
| 2016 | Let’s be Open About… Conceptualism, Dazibao, Montreal “…and yet one more world,” Kunsthaus Hamburg, Hamburg |
| 2015 | The Secret Life, Murray Guy, New York Don’t Talk to Strangers, Réunion, Zurich Lynda, Robert, Amy, Enzo and the others, Künstlerhaus, Bremen After Dark, MAMCO, Geneva Didn’t know But Knew It All Along, Onomatopee, Eindhoven, The Netherlands Pliure at Ecole des Beaux arts, Paris The Recorder Was Left On, Or the Closer I Get To The End The More I Rewrite the Beginning, Los Angeles Contemporary Archive, Los Angeles |
| 2014 | Epicentre : Conversations And Discussions Between Artists, Parra & Romero, Ibiza, Spain Time Pieces, Nordstern Videokunstzentrum, Gelsenkirchen, Germany Someone Like Me, Murray Guy, New York The Tender Tentative of Words, Galleria PM8, Vigo, Spain Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York Print Text Language, Bibliowitz Gallery, Cornell University, Ithaca, NY |
| 2013 | Encuentros / Tensiones. Arte latinoamericano contemporáneo. Colección Malba + Comodatos, MALBA Colección Costantini – Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires Trapping Lions in the Scottish Highlands, Aspen Art Museum, Aspen, CO Sin motivo aparente, Centro de Arte Dos de Mayo (CA2M), Madrid Plaisance (curated by Fionn Meade), Midway, Minneapolis Images Festival, Toronto Tell It To My Heart: Collected by Julie Ault, Museum für Gegenwartskunst, Basel, Switzerland; Culturgeist, Lisbon; Artists Space, New York |
| 2012 | The Imminence of Poetics, 30th São Paulo Biennial, São Paulo A common feeling, gb agency, Paris Lo Bueno y Lo Malo, Nara Roesler Gallery, São Paulo Found in Translation, Deutsche Guggenheim, Berlin formes brèves, autres, 25,49 Nord 6 Est – Frac Lorraine, Metz, France; traveling to MARCO, Vigo, Spain The Same But Different: The Leni and Sofie P. Collection, Vacant-Galleries, Vienna Newtopia: The State of Human Rights (curated by Katerina Gregos), Mechelen, Belgium Leisure, Discipline and Punishment: 6th Biennial of the Moving Image, Contour Mechelen, Belgium Where is the power, Fort Worth Contemporary Arts, Fort Worth, TX Microclima Zurich Tropical, Human Valley – The Other Side of Contemporary History (curated by Pablo León de Barra), Kunsthalle Zürich, Zurich |
| 2011 | Short Stories, Sculpture Center, New York We would provide complete darkness, Goethe-Institut Wyoming Building, New York Ever Ephemeral: Remembering and Forgetting in the Archive (curated by Julie Ault), Signal, Malmö, Sweden Distant Star, Regen Projects, Los Angeles; traveling to Kurimanzutto, Mexico City Universo vídeo. Historias fugaces, LABoral Centro de Arte y Creación Industrial Asturias, Spain Mr. Memory, Martine Aboucaya, Paris Una oportunidad para sonar/Fat Chance to Dream, Maisterra Valbuena, Madrid A Video Show (curated by Peter Campus), 80WSE, New York |
| 2010 | Nine Screens, The Museum of Modern Art, New York Today I Made Nothing, Elizabeth Dee Gallery, New York Mixtapes, Lewis Glucksman Gallery; University College Cork, Ireland 50 Artists Photograph The Future (curated by Dean Daderko), Higher Pictures, New York Desire, The Blanton Museum of Art, Austin, TX Sintonías, Fundación Proa, Buenos Aires |
| 2009 | Before and After, Eugene Binder Gallery, Marfa, TX A Sensed Perturbation, Murray Guy, New York Rubber Sheets (curated by Nicholas Knight), C.R.E.A.M. Projects, New York Subjective Projections, Bielefelder Kunstverein, Bielefeld, Germany Just What are they Saying…, Jonathan Ferrara Gallery, New Orleans, LA 2da Trienal Poli/Gráfica de San Juan (curated by Adriano Pedrosa, Julieta González, Jens Hoffman). Puerto Rico [catalogue, artist book] |
| 2008 | Power Structure (curated by Nicholas Guagnini), Andrew Roth, New York Salon Of the Revolution, HDLU/Mestrovic Pavillion, Zagreb, Croatia The Archeology of Longings, Kadist Art Foundation, Paris September Show, Tanya Leighton, Berlin Deep in the Heart of Southie, Lamontagne Gallery, Boston, MA This particular day of June, Or Gallery, Vancouver Männerfantasien, COMA, Berlin |
| 2007 | Adquisiciones, donaciones y comodatos 2007, Malba – Fundación Costantini, Museo de Arte Latinoamericano de Buenos Aires, Buenos Aires Textual Insight, Gallery W52, New York Stalking with Stories: The Pioneers of the Un-rememberable (curated by Ivana Bago and Antonia Majaca), apexart, New York 25 Years Later: Welcome to Art in General, UBS Art Gallery, New York Between what is said and not said, Red Dot Contemporary Art, West Palm Beach, FL Open and Shut, curated by Maxwell Graham, Skestos Gabriele Gallery, Chicago Type Face, James Harris Gallery, Seattle, WA |
| 2006 | Matthew Buckingham, Alejandro Cesarco, Louise Lawler, Allen Ruppersberg, Murray Guy, New York Break Even (a project by Nicolás Guagnini and Gareth James), Andrew Roth, New York A Brighter Day, James Cohan Gallery, New York Next Next Visual Art (curated by Yukie Kamiya and Dan Cameron), Brooklyn Academy of Music, New York 2nd Biennial of Young Artists, Bucharest, Romania Suerte en pila!, harto_espacio en ExTeresa Arte Actual, Mexico City |
| 2005 | Rub Out the Word (curated by Michael Wilson), Dumbo Arts Center, New York Come Together (curated by Harrell Fletcher), apexart, New York |
| 2004 | No lo llames Performance (curated by Paco Barragán), Museo del Barrio, New York; DA2, Salamanca, Spain (cat.) Video Rental, e-flux, New York; KW Institute for Contemporary Art, Berlin; Manifesta Foundation, Amsterdam; The Moore Space, Miami, FL (cat.) Playlist (with Wendy Tronrud), Colección Engelman-Ost, Montevideo, Uruguay (booklet) Entretextos (curated by Teresa Riccardi), Espacio Ecléctico, Buenos Aires Tics (curated by Dani Umpi), Cabildo de Montevideo, Montevideo, Uruguay |
| 2003 | AmFar Portfolio (curated by Jack Pierson), Cheim & Read, New York; Regen Projects, Los Angeles (2004) Now Playing (curated by Scott Hug), D’amelio-Terras, New York |
| 2002 | S-Files (curated by Victoria Noorthoon & Deborah Cullen), Museo del Barrio, New York (cat.) EAF02, Socrates Sculpture Park, New York Lab 0.2, Museo Nacional de Artes Visuales, Montevideo, Uruguay (cat.) Chapter V, Art Resources Transfer, New York (booklet) |
| 2001 | Ellipsis (…), Leslie Tonkonow Artworks+Projects, New York Bienal de Video y Nuevos Medios, Museo de Arte Contemporáneo, Santiago, Chile Artists in the Marketplace, The Bronx Museum of the Arts, Bronx, NY (cat.) Museo Nacional de Artes Visuales, Montevideo, Uruguay |
| 1999 | Invisible©, Centro Cultural Español, Montevideo, Uruguay (cat.) Everybody That Came To My Opening (MA Thesis Exhibition), 80 Washington Square East Galleries, New York |
Curatorial Projects
| Between Artists, ongoing series of pocket-sized, conversation-based books published by A.R.T. Press, New York | |
| 2007 | Converças, with Gabriel Perez-Barreiro, Bienal do Mercosul, Porto Alegre, Brazil |
| 2006 | Puesta en Escena (with Alicia Herrero), Magazine in Situ, Buenos Aires, and Montevideo, Uruguay |
| 2004 | Visitas (with Gabriela Forcadell), Centro Cultural Ricardo Rojas, Buenos Aires |
| 2003 | Tim Rollins & K.O.S. Works on Paper 1983 – 2003, Art Resources Transfer, New York |
| 2002 | Chapter V (with Julie Baranes), Art Resources Transfer, New York |
| 2001 | I ME MY, Centro Cultural Molino de Pérez, Montevideo Uruguay |
| 2000 | Felix Gonzalez-Torres, Museo Nacional de Artes Visuales, Montevideo, Uruguay |
Awards, Fellowships and Grants
| 2011 | The Bâloise Art Prize, Basel, Switzerland |
| 2009 | Art Matters, New York |
| 2006 | The Rolex Mentor and Protégé Arts Initiative Award, selected by John Baldessari |
| 2006 | The New Commissions Program, Art in General, New York |
| 2003 | Emerging Artist Fellowship, Socrates Sculpture Park, New York |
Public Collections
The Art Institute of Chicago
CNAP, Paris
Colby College Museum of Art
Colección Patricia Phelps de Cisneros
Deutsche Bank Art Collection
Frac Ile-de-France/Le Plateau, Paris Microsoft Art Collection
Guggenheim Museum, New York
MuMOK – Museum Moderner Kunst Stiftung Ludwig, Vienna
Museum of Contemporary Art Denver
Princeton University Museum of Art
Walker Art Center, Minneapolis
Artist’s Books and Monographs
| 2013 | Bordowitz, Greg. Three Poems for AC. La Charité-sur-Loire: Frac Bourgogne and Parc Saint-Léger, 2013. Cesarco, Alejandro. Musings. Berlin: Neuer Berliner Kunstverein, 2013. Cesarco, Alejandro and Beatrix Ruf. A Portrait A Story and an Ending. Zurich: Kunsthalle Zurich, 2013. Secondary Revision. Paris: Frac Ile-de-France/Le Plateau, 2013. Texts by Xavier Franceschi and Alejandro Cesarco. |
| 2012 | Fassi, Luigi. Alejandro Cesarco – A Long Time Ago Last Night. Balzano: ar/ge kunst; Milan: Mousse Publishing, 2012. Michalka, Matthias, ed. Alejandro Cesarco. Ostfildern: Hatje Cantz Verlag, 2012. Texts by Matthias Michalka, Manuela Ammer, Angie Keefer, and François Piron. |
| 2011 | Ault, Julie and Andrea Rosen. Time Frames. Malmö: Signal, 2011. Cesarco, Alejandro. Present Memory. Malmö: Signal, 2011. Cesarco, Alejandro, Inés Katzenstein, and Fabio Kacero. Why Work? Buenos Aires: Ignacio Liprandi, 2011. Cesarco, Alejandro. The Streets were Dark with Something More Than Night or The Closer I Get to the End the More I Rewrite the Beginning. New York: Murray Guy, 2011. |
| 2010 | Alejandro Cesarco: Present Memory. Exhibition booklet. London: Tate Modern, 2010. Texts by Alejandro Cesarco and Iria Candela. Cesarco, Alejandro and Ana Katz. Ellos. Buenos Aires: Fundación PROA, 2010. |
| 2009 | Cesarco, Alejandro. A Portrait of the Artist As A Young Man: The Now Becoming Then. San Juan: San Juan Trienal, 2009. Cesarco, Alejandro. Everness. Booklet. 2009. Text by Julie Ault. “A Word that has the Power to Change One’s Life.” Cesarco, Alejandro. Everness. Booklet. 2009. Text by María Gainza. “The Windmills of your Mind.” |
| 2008 | Alejandro Cesarco: Marguerite Duras’ India Song. Ed. Matthias Michalka. Ostfildern: Hatje Cantz Verlag, 2008. Texts by Anne J. Barlow, Sofía Hernandez Chong Cuy, Luis Camnitzer, and Daniel Link. |
| 2007 | Baldessari, John and Alejandro Cesarco. Retrospective. Cologne: Walther Konig, 2007. |
| 2004 | Alejandro Cesarco: Unrest. Zagreb, Croatia: Miroslav Kraljevic Gallery, 2004. Essay by Wendy Tronrud. Cesarco, Alejandro and Wendy Tronrud. Playlist. Booklet. Montevideo: Colección Engelman-Ost, 2004. Cesarco, Alejandro with Gabriel Perez-Barreiro. TestSite 04.5. Austin: Fluent~Collaborative, 2004. Love Poems by Idea Vilariño. Translated by Alejandro Cesarco. Austin: Testsite/Fluent~Collaborative, 2004. |
| 2003 | Cesarco, Alejandro. Dedications. New York: A.R.T. Press, 2003. Printed in Montevideo, Uruguay. |
| 2001 | Alejandro Cesarco: Cuentos Completos. Montevideo, Uruguay: Colección Engelman-Ost, 2001. Texts by Patricia Bentancur and Hidenori Kondo. Conversation between Alejandro Cesarco and Julie Baranes. |
Selected Artist’s Writings and Publications
| 2014 | “Marguerite Duras’ India Song.” Initiales M.D. (Marguerite Duras), no. 3 (2014) |
| 2013 | “A Landscape of Time.” Peep-Hole Sheet, no. 18 (2013) “Feldmann Pictures.” Nero Magazine, no. 33 (Fall 2013) |
| 2011 | Cesarco, Alejandro and Mary Walling Blackburn. “To Read Again: The Buenos Aires Affair. …might be good, no. 177 (October 2012) “Luis Camnitzer.” Bomb, no. 115 (Spring 2011), pp. 88–95 “Modus Operandi.” In Never Odd Nor Even. Edited by Sarah Demeuse. New York: Goethe-Institute, 2011. |
| 2010 | Artist project. Cabinet, no. 38 (September 2010) My Family in Chronological Order. London: Starkmann Major Reference Works, 2010. |
| 2009 | “What you take with you and what you leave behind.” In Jack Pierson. Málaga: Centro de Arte Contemporáneo de Málaga, 2009. |
| 2008 | “File Under: Alejandro Cesarco in conversation with Courtenay Finn.” In Curating Now. Oakland: California College of the Arts, 2008, pp. 3–8. |
| 2007 | Baldessari, John and Alejandro Cesarco. “Between Us: John Baldessari in conversation with Alejandro Cesarco.” Whitewall (Spring 2007) Cesarco, Alejandro and Gabriel Pérez-Barreiro. “Conversing about Conversas.” In 6a Bienal do Mercosul: Conversas. Ed. Alejandro Cesarco and Gabriel Pérez-Barreiro. Porto Alegre: Fundação Bienal de Artes Visuais do Mercosul, 2007. |
| 2004 | Forcadell, Gabriela and Alejandro Cesarco. “Experiencias Visitas.” Ramona [Buenos Aires, Argentina], no. 42 (July 2004), pp. 42–48. |
| 2002 | Charley 01. Ed. Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni, Ali Subotnick. Dijon: Les Presses du Réel/Janvier, Italy, 2002. |
Selected Bibliography
| 2015 | Allen, Gwen. “Alejandro Cesarco.” Artforum (September 2015), 391–392 MacQueen, Kathleen. “Alejandro Cesarco: An artist’s promise.” Shifting Connections, 6 March 2015 |
| 2014 | Casimir, Sivagami. “Alejandro Cesarco: Au-delà du moi.” Arts Magazine (February 2014), pp. 102–105 CaixaForum Zaragoza. Barcelona: Fundación La Caixa, 2014, pp. 138–39 Colard, Jean-Max. “Fragments d’un discours conceptuel.” Les Inrockuptibles, 22 January 2014 Loret, Eric. “Alejandro Cesarco à perte de vues.” liberation.fr, 11 February 2014 Oksenhorn, Stewart. “Storytime at the Museum.” The Aspen Times, 17 January 2014, pp. B5–6 Tagliafierro, Marco. “Alejandro Cesarco.” Artforum.com, March 2014 |
| 2013 | “Alejandro Cesarco.” The New Yorker, 7 January 2013 Ault, Julie, et. al., eds. Tell it to My Heart: Collected by Julie Ault. Ostfildern: Hatje Cantz Verlag, 2013, p. 26 Bell, Kirsty. “Alejandro Cesarco.” Camera Austria, no. 124 (2013), p. 85 Cotter, Sam. “Images Festival.” C Magazine, no. 119 (Autumn 2013), pp. 50, 53–54. Higashino, Yuki. “Alejandro Cesarco.” Springerin (January 2013), pp. 69–71 Rosenmeyer, Aolfe. “Alejandro Cesarco – Kunsthalle Zürich.” Frieze (May 2013) Tronrud, Wendy. “Where I’m Calling From.” Camera Austria, no. 121 (2013), pp. 49–58 |
| 2012 | Ammer, Manuela. “Cesarco Reads Auster Reads Chandler Reads Poe… and Weiner Reads Aloud.” In Alejandro Cesarco. Ed. by Matthias Michalka. Ostfildern: Hatje Cantz Verlag, 2012, pp. 47–52 Cabañas, Kaira M. “30th São Paulo Bienial.” Artforum (December 2012), p. 266 Herbert, Martin. “Alejandro Cesarco.” Art Review, no. 64 (December 2012), pp. 68–73 Keefer, Angie. “Not Nothing.” In Alejandro Cesarco. Ed. by Matthias Michalka. Ostfildern: Hatje Cantz Verlag, 2012, 63–66. Kleesattel, Ines. “Alejandro Cesarco – MUMOK.” frieze d/e, no. 7 (Winter 2012) Michalka, Matthias. “Alejandro Cesarco.” In Alejandro Cesarco. Ed. by Matthias Michalka. Ostfildern: Hatje Cantz Verlag, 2012, pp. 9–23 Piron, François. “A Dreamy Inability to Believe.” In Alejandro Cesarco. Ed. by Matthias Michalka. Ostfildern: Hatje Cantz Verlag, 2012, 87–91 |
| 2011 | “Alejandro Cesarco –‘A Long Time Ago Last Night’ ar/ge kunst, Bolzano.” Mousse Magazine, 22 December 2011 Lind, Maria. “A Curator Queues And Sweats And Chatters – And Wonders if She Really Needs To Be At Another Teflon Biennale.” Art Review (September 2011), p. 60 MacQueen, Kathleen. “Alejandro Cesarco.” Bomblog, 24 May 2011 |
| 2010 | Cotter, Holland. “Today I Made Nothing.” The New York Times, 10 September 2010, p. C26 Fassi, Luigi. “Alejandro Cesarco: Practice of Reading.” Mousse, no. 25 (September/October 2010), pp. 134–139 Griffin, Tim. “Today I Made Nothing.” Artforum (December 2010), p. 253 Ruud, Claire. “Alejandro Cesarco, ArtPace, San Antonio.” …might be good, no. 140 (January 2010) Mueller, Kurt. “Alejandro Cesarco, ArtPace, San Antonio.” Frieze, no. 131 (May 2010), pp. 142–143 Mueller, Kurt. “Alejandro Cesarco.” In Desire. Ed. Annette DiMeo Carlozzi. Austin: Blanton Museum of Art, The University of Texas at Austin, 2010. Walling Blackburn, Mary. “Alejandro Cesarco, ArtPace, San Antonio.” artforum.com, 1 April 2010 |
| 2009 | Boucher, Brian. “Alejandro Cesarco: Murray Guy.” Art in America (December 2009), p. 142 Guagnini, Nicholas. “Alejandro Cesarco.” Bomb (Winter 2009), no. 106, pp. 42–43 Obrist, Hans Ulrich. “Just an Artist with More Experience – a Conversation with Alejandro Cesarco.” In Hans Ulrich Obrist, John Baldessari -The Conversation Series #18. Cologne: Verlag der Buchhandlung Walther König, 2009, pp. 52–71 Quin, John. “Alejandro Cesarco – Tanya Leighton.” MAP, no. 20 (Winter 2009) |
| 2008 | Coggins, David. “John Baldessari and Alejandro Cesarco at Murray Guy.” Art in America (June/July 2008), pp. 198–199 Griffin, Tim. “Notes on Jokes.” Artforum (January 2008), pp. 40–41 Hetherington, Alex. “Once Within A Room/Phantom Rosebuds.” a-n.co.uk, May 2008 Malibran, Florencia. “Alejandro Cesarco and John Baldessari.” Artnexus, no. 68 (2008), pp. 139–140 |
| 2007 | Bullock, Lara. “Open and Shut.” Time Out Chicago, 22 February 2007 |
| 2006 | Basha, Regine, ed. “Sincerely Yours,” Artl!es [Houston, TX], no. 49 (Winter 2006) Cotter, Holland. “Break Even.” The New York Times, 20 October 2006, p. E37 Doran, Anne. “Group Show, Murray Guy.” Time Out New York, 14 December 2006 Gilbert, Alan. Another Future: Writings on Poetry and Art in a Postmodern Twilight. Middletown: Wesleyan University Press, 2006 Karcher, Eva. “Alejandro Cesarco.” Monopol, no. 6 (2006) “Matthew Buckingham, Alejandro Cesarco, Louise Lawler, Allen Ruppersberg.” The New Yorker, 11 December 2006 Taft, Catherine. “Alejandro Cesarco.” Modern Painters (December 2006/January 2007), pp. 78–79 Yehia, Naief. “Alejandro Cesarco, Art in General.” Artnexus, no. 61 (June–August 2006) |
| 2005 | Lacasa, Jacqueline. [Interview] Diario la República [Montevideo, Uruguay], 12 April 2005 Snyder, Hills. “Alejandro Cesarco and Gabriel Perez-Barreiro: Testsite.” Artl!es [Houston, TX], no. 45 (Winter 2004), p. 33 |
| 2004 | Arte:05. Ed. Fernando López-Lage. Montevideo: Apeu Artistas Visuales, April 2004 Dorfman, Melina. www.julianaperiodista.com.ar, May 2004 Tronrud, Wendy. “I write to you: Poetics of the letter in translation.” In Alejandro Cesarco: Unrest. Zagreb: Miroslav Kraljevic Gallery, 2004 |
| 2003 | Arte:04. Ed. Fernando López-Lage. Montevideo: Apeu Artistas Visuales, December 2003 |
| 2002 | Arte:03. Ed. Fernando López-Lage. Montevideo: Apeu Artistas Visuales, April 2002 Baranes, Julie. “Chapter V.” Exhibition pamphlet. New York: Art Resources Transfer, August 2002 Charley 01. Ed. Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni, Ali Subotnick. Dijon: Les Presses du Réel/Janvier, Italy, 2002 Cullen, Deborah. “Aequilibrium.” In El Museo’s Bienial The [S] Files 2002. New York: El Museo del Barrio, 2002 Forcadell, Gabriela. Masterbox 5. [A collaborative edition of graphic works.] Buenos Aires, Argentina Mahoney, Robert. “Chapter V.” Time Out New York, 15 August 2002 Tiscornia, Ana. “Envios.” Exhibition pamphlet. Montevideo: Centro Municipal de Exposiciones, February 2002. |
| 2001 | Baranes, Julie and Alejandro Cesarco. “Julie Baranes – Alejandro Cesarco.” Conversation in Alejandro Cesarco: Cuentos Completos. Montevideo: Colección Engelman-Ost, 2001, n.p. Bentancur, Patricia. “Indice para Alejandro Cesarco.” In Alejandro Cesarco: Cuentos Completos. Montevideo: Colección Engelman-Ost, 2001, n.p. Berthet, Marcela. “Ocho Lentes Para Ocho Artistas.” Semanario Búsqueda, 1 February 2001 DiMaggio, Nelson. “Artistas Uruguayos Valiosos.” Diario La República, 9 July 2001 Haber, Alicia. “Jóvenes de Flash (Muestra de Fotografía Contemporánea Uruguaya en el Museo de Artes Visuales).” Diario El País, 3 January 2001 Kondo, Hidenori. “Entrada-Salida: La obra de Alejandro Cesarco.” In Alejandro Cesarco: Cuentos Completos. Montevideo: Colección Engelman-Ost, 2001, n.p. Kondo, Hidenori, ed. “On Photography.” Magazine A [Tokyo, Japan] (January 2001) Sirmans, Franklin. “(…) Ellipsis.” Time Out New York, 23 August 2001 |
| 2000 | Bentacur, Patricia. “Do itYourself Hero or Anti-hero.” In Invisible©. Montevideo: Centro Cultural Español, April 2000 DiMaggio, Nelson. “Media Docena de Invisibles.” Diario La República, 2000 López-Lage, Fernando. “Invisible.” In Invisible©. Montevideo: Centro Cultural Español, April 2000. Torres, Alfredo. “Invisible.” Semanario Brecha, 5 May 2000 “Riesgo Jóven.” Revista3, 14 April 2000 “Quietos para la Foto.” Soho [Bogota, Colombia] (July 2000) Yee, Lydia and Edwin Tangonan Ramoran. “Artist in the Marketplace.” Artist in the Marketplace: Twentieth Annual Exhibition Catalogue. Bronx: The Bronx Museum of the Arts, 2000 |
| 1999 | Haber, Alicia. “Sobre Lo Invisible.” Diario El País, 1999 Haber, Alicia. “Una Muestra Desacralizadora.” Diario El País, 30 June 1999 López-Lage, Fernando. “Invisible.” In Invisible©. Montevideo: Centro Cultural Español, June 1999 |